Now, O Now I Needs Must Part
John Dowland, Simone Kermes, Enrico Casazza
Love
5:07 March 4, 2016
BPM
83
Key
G Major
Camelot
9B

Embed

Share Link

Now, O Now I Needs Must Part - John Dowland, Simone Kermes, Enrico Casazza Information

Acousticness
98%
Danceability
19%
Energy
9%
Instrumentalness
41%
Liveness
8%
Loudness
68%
Speechiness
4%
Valence
17%
Popularity
Loudness
-19.183 dB

Summary

"Now, O Now I Needs Must Part" by John Dowland, Simone Kermes, Enrico Casazza was released on March 4, 2016. With this song being about 5 minutes long, at 5:07, "Now, O Now I Needs Must Part" by John Dowland, Simone Kermes, Enrico Casazza is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Simone Kermes's "Love" album is number 15 out of 17. Now, O Now I Needs Must Part is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Now, O Now I Needs Must Part BPM

We consider the tempo marking of Now, O Now I Needs Must Part by John Dowland, Simone Kermes, Enrico Casazza to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Now, O Now I Needs Must Part Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa by Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I BarocchistiPergolesi: Stabat Mater: I. Stabat Mater dolorosaGiovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I BarocchistiE Minor09A138 BPM
L'Allegro, Il Penseroso, ed il Moderato, HWV 55, Part III: L'Allegro, Il Penseroso, ed il Moderato, HWV 55, Part III: "As steals the morn"George Frideric Handel, Lucy Crowe, Mark Padmore, The English Concert, Andrew ManzeA Major111B84 BPM
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon) by Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias ForemnyRusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon)Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias ForemnyF♯ Major12B63 BPM
Stabat Mater: 5. Quis est homo by Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher HogwoodStabat Mater: 5. Quis est homoGiovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher HogwoodB Minor110A80 BPM
Te Deum, H. 146: III. Te aeternum Patrem by Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard DeletréTe Deum, H. 146: III. Te aeternum PatremMarc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard DeletréD♭ Major33B116 BPM
Three Feminine Portraits - Lady Hunsdon's Allemande by Hopkinson Smith, John DowlandThree Feminine Portraits - Lady Hunsdon's AllemandeHopkinson Smith, John DowlandB♭ Major26B80 BPM
Semper Dowland semper dolens, P. 9 by John Dowland, Nigel NorthSemper Dowland semper dolens, P. 9John Dowland, Nigel NorthD♭ Minor112A76 BPM
When David heard by Thomas Tomkins, Choir of Clare College, Cambridge, Graham RossWhen David heardThomas Tomkins, Choir of Clare College, Cambridge, Graham RossC Major18B129 BPM
Beati quorum via by Charles Villiers Stanford, The Sixteen, Harry ChristophersBeati quorum viaCharles Villiers Stanford, The Sixteen, Harry ChristophersA♭ Major14B133 BPM
Lauda Jerusalem (Salmo 147), RV 609 by Antonio Vivaldi, Concerto Italiano, Roberta Invernizzi, Gemma Bertagnolli, Rinaldo AlessandriniLauda Jerusalem (Salmo 147), RV 609Antonio Vivaldi, Concerto Italiano, Roberta Invernizzi, Gemma Bertagnolli, Rinaldo AlessandriniE Minor29A138 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6035387516021729

End: 0.609825611114502