"Pergolesi: Stabat Mater: I. Stabat Mater dolorosa" by Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti was released on October 28, 2013. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "Pergolesi: Stabat Mater, Laudate pueri & Confitebor". In this album, this song's track order is #1. Based on our statistics, Pergolesi: Stabat Mater: I. Stabat Mater dolorosa's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pergolesi: Stabat Mater: I. Stabat Mater dolorosa by Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM | ||
Stabat Mater, P. 77: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Lucy Crowe, Tim Mead, La Nuova Musica, David Bates | E Minor | 0 | 9A | 71 BPM | ||
O quam suavis (Mottetti a voce sola da diversi Eccellentissimi Autori, Libro primo, Venezia Gardano 1645) | Philippe Jaroussky, Ensemble Artaserse | F Major | 1 | 7B | 91 BPM | ||
Stabat Mater, P. 77: V. Quis est homo | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Monteverdi / Arr Pluhar: Zefiro torna e di soavi accenti, SV 251 | Claudio Monteverdi, Christina Pluhar, Núria Rial, Philippe Jaroussky | F Major | 2 | 7B | 117 BPM | ||
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt Coffee süße | Johann Sebastian Bach, Emma Kirkby, Lisa Beznosiuk, Academy of Ancient Music, Christopher Hogwood | B♭ Minor | 1 | 3A | 66 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: No. 39 Aria (Alto): "Erbarme dich" | Johann Sebastian Bach, Magdalena Kozená, Musica Florea, Marek Stryncl | D♭ Major | 2 | 3B | 120 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Cantata "Ich habe genug" BWV 82: 1. Aria: Ich habe genug, ich habe den Heiland | Johann Sebastian Bach, Andreas Scholl, Kammerorchester Basel, Julia Schröder | B Minor | 1 | 10A | 138 BPM |
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