"Stabat Mater, P. 77: I. Stabat mater dolorosa" by Giovanni Battista Pergolesi, Lucy Crowe, Tim Mead, La Nuova Musica, David Bates was released on March 24, 2017. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Pergolesi: Stabat Mater / Bach: Cantatas Nos. 54 & 170". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Stabat Mater, P. 77: I. Stabat mater dolorosa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater, P. 77: I. Stabat mater dolorosa by Giovanni Battista Pergolesi, Lucy Crowe, Tim Mead, La Nuova Musica, David Bates having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in B minor, BWV 232, Part II, Symbolum Nicenum: Et in unum Dominum - Live | Johann Sebastian Bach, Les Arts Florissants, André Morsch, Tim Mead, William Christie | E♭ Minor | 1 | 2A | 73 BPM | ||
Leçons de ténèbres pour le mercredy, Première Leçon, à une voix: VII. Jerusalem, convertere | François Couperin, Lucy Crowe, David Bates, La Nuova Musica | E♭ Major | 3 | 5B | 64 BPM | ||
Sancta Mater | Andreas Scholl | D Major | 1 | 10B | 73 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Rameau: "Feuillages verts naissez" | Jean-Philippe Rameau, Les Ambassadeurs, Alexis Kossenko | A♭ Major | 0 | 4B | 81 BPM | ||
Stabat Mater, Op.58, B.71: 3. "Eia mater, fons amoris" | Antonín Dvořák, Prague Philharmonic Choir, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Minor | 1 | 5A | 131 BPM | ||
La Fiera di Venezia / Act 3: Vi sono sposa e amante | Antonio Salieri, Cecilia Bartoli, Rachel Brown, Anthony Robson, Orchestra of the Age of Enlightenment, Ádám Fischer | C Major | 3 | 8B | 130 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax sincera | Antonio Vivaldi, Simone Kermes, Venice Baroque Orchestra, Andrea Marcon | E Major | 1 | 12B | 69 BPM | ||
Schwanengesang, D. 957: Ständchen | Franz Schubert, Peter Schreier, András Schiff | D Major | 0 | 10B | 164 BPM | ||
L'Orfeo, Prologo: Ritornello - Dal mio permesso amato | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Le Concert Des Nations | D Minor | 1 | 7A | 89 BPM |
Section: 1.0687189102172852
End: 1.075639009475708