Vier letzte Lieder, TrV 296: 2. September - Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur Information

Acousticness: 99%
Danceability: 13%
Energy: 9%
Instrumentalness: 20%
Liveness: 8%
Loudness: 62%
Speechiness: 4%
Valence: 4%
Popularity: 31%
Loudness: -22.517 dB

Summary

"Vier letzte Lieder, TrV 296: 2. September" by Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur was released on January 1, 1983. With this song being about 5 minutes long, at 5:26, "Vier letzte Lieder, TrV 296: 2. September" by Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Strauss, R.: Four Last Songs, etc.". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Vier letzte Lieder, TrV 296: 2. September's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Vier letzte Lieder, TrV 296: 2. September BPM

With Vier letzte Lieder, TrV 296: 2. September by Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.

Vier letzte Lieder, TrV 296: 2. September Key

This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	C Major	1	8B	96 BPM
Elektra: Vii. Was willst du?	Hugo von Hofmannsthal, Richard Strauss, Gunilla Söderström, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler	G Major	1	9B	110 BPM
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo	Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra	E Major	0	12B	140 BPM
Symphony No. 2 in D Major, Op. 43: I. Allegretto	Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen	C Major	1	8B	79 BPM
Elektra: Iv. Ich kann nicht sitzen…	Richard Strauss, Hugo von Hofmannsthal, Anita Soldh, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler	F♯ Major	1	2B	88 BPM
Concerto in F: 3. Allegro agitato	George Gershwin, Riccardo Chailly, Stefano Bollani, Gewandhausorchester	B♭ Major	3	6B	139 BPM
Life and Works: Rusalka (Act I: Song to the Moon)	Sean Barrett	F♯ Major	0	2B	126 BPM
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	E♭ Major	0	5B	79 BPM
Requiem in D Minor, Op.48: 7. In paradisum	Gabriel Fauré, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner	D Major	0	10B	175 BPM
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano)	Gustav Mahler, John Gribben, Edward Wolanin	F Major	0	7B	71 BPM

ISRC: NLA508126202
Label: L-M Records/RCA Records

Section: 0.7029509544372559

End: 0.7065432071685791