Stabat Mater, Op.58, B.71: 3. "Eia mater, fons amoris" - Antonín Dvořák, Prague Philharmonic Choir, Czech Philharmonic Orchestra, Jiří Bělohlávek Information

Acousticness: 98%
Danceability: 18%
Energy: 12%
Instrumentalness: 91%
Liveness: 12%
Loudness: 71%
Speechiness: 4%
Valence: 8%
Popularity: 9%
Loudness: -17.692 dB

Summary

"Stabat Mater, Op.58, B.71: 3. "Eia mater, fons amoris"" by Antonín Dvořák, Prague Philharmonic Choir, Czech Philharmonic Orchestra, Jiří Bělohlávek was released on May 5, 2017. Since Stabat Mater, Op.58, B.71: 3. "Eia mater, fons amoris" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 10 in Dvorák: Stabat Mater, Op.58, B.71 by Antonín Dvořák, Eri Nakamura, Elisabeth Kulman, Michael Spyres, Jongmin Park, Prague Philharmonic Choir, Czech Philharmonic Orchestra, Jiří Bělohlávek. Based on our statistics, Stabat Mater, Op.58, B.71: 3. "Eia mater, fons amoris"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Stabat Mater, Op.58, B.71: 3. "Eia mater, fons amoris" BPM

The tempo marking of Stabat Mater, Op.58, B.71: 3. "Eia mater, fons amoris" by Antonín Dvořák, Prague Philharmonic Choir, Czech Philharmonic Orchestra, Jiří Bělohlávek is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Stabat Mater, Op.58, B.71: 3. "Eia mater, fons amoris" Key

C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Nocturne No. 10 In E Minor	Benjamin Frith, John Field	E Minor	0	9A	65 BPM
Humoresque No. 7 in G-flat Major, Op. 101	Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman	F♯ Major	1	2B	83 BPM
Carmen Variations	Vladimir Horowitz	E Major	2	12B	148 BPM
Paganini: 24 Caprices, Op. 1: No. 2 in B Minor	Niccolò Paganini, Itzhak Perlman	B Minor	3	10A	95 BPM
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Minor	0	6A	81 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro	Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach	C Minor	4	5A	106 BPM
Elégie in C Minor, Op. 24 (Arr. Parkin)	Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max	A♭ Major	0	4B	88 BPM
Charterhouse Suite: Prelude	Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones	F Major	0	7B	134 BPM
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 6. Valse	Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti	B♭ Major	2	6B	102 BPM
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto	Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan	A Major	0	11B	157 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7622087001800537

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