"Cantata "Ich habe genug" BWV 82: 1. Aria: Ich habe genug, ich habe den Heiland" by Johann Sebastian Bach, Andreas Scholl, Kammerorchester Basel, Julia Schröder was released on January 1, 2011. Since Cantata "Ich habe genug" BWV 82: 1. Aria: Ich habe genug, ich habe den Heiland is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 16 in Andreas Scholl - Bach Cantatas by Johann Sebastian Bach, Andreas Scholl, Kammerorchester Basel, Julia Schröder. Based on our statistics, Cantata "Ich habe genug" BWV 82: 1. Aria: Ich habe genug, ich habe den Heiland's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cantata "Ich habe genug" BWV 82: 1. Aria: Ich habe genug, ich habe den Heiland by Johann Sebastian Bach, Andreas Scholl, Kammerorchester Basel, Julia Schröder is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Höchsterwünschtes Freudenfest, BWV 194: Chorale. Heil'ger Geist ins Himmels Throne (Chorus) | Johann Sebastian Bach, Ruth Holton, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 4 | 3B | 99 BPM | ||
Salve Regina in F minor: 5. O clemens | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | E Minor | 0 | 9A | 171 BPM | ||
Schlage doch, gewünschte Stunde (Formerly Attrib. Bach as BWV 53) | Melchior Hoffmann, Andreas Scholl, Kammerorchester Basel, Julia Schröder | E Major | 1 | 12B | 77 BPM | ||
Giulio Cesare / Act 3: Aure, deh, per pietà | George Frideric Handel, Andreas Scholl, Accademia Bizantina, Ottavio Dantone | F♯ Minor | 1 | 11A | 131 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Zubin Mehta, New York Philharmonic, Isaac Stern, Itzhak Perlman | F Major | 2 | 7B | 83 BPM | ||
Pergolesi: Stabat Mater: IV. Quae moerebat et dolebat | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | D Major | 1 | 10B | 103 BPM | ||
Venus' birds whose mournful tunes | John Bennet, Julian Behr, Andreas Scholl, Concerto di Viole | E♭ Minor | 1 | 2A | 108 BPM | ||
Gelobet sei der Herr, mein Gott, BWV 129: Chorale. Dem wir das Heilig itzt (Chorus) | Johann Sebastian Bach, Ruth Holton, Daniel Taylor, Paul Agnew, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 4 | 3B | 99 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 30, Aria mit Chor. "Ach, nun ist mein Jesus hin!" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Bernarda Fink, Concentus Musicus Wien | B♭ Minor | 1 | 3A | 91 BPM |
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