Requiem in C Minor: II. Graduale - Luigi Cherubini, Martin Pearlman, Boston Baroque Information

Acousticness: 98%
Danceability: 23%
Energy: 6%
Instrumentalness: 84%
Liveness: 11%
Loudness: 52%
Speechiness: 4%
Valence: 4%
Popularity: 10%
Loudness: -28.597 dB

Summary

"Requiem in C Minor: II. Graduale" by Luigi Cherubini, Martin Pearlman, Boston Baroque was released on January 23, 2007. With Requiem in C Minor: II. Graduale being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 10 in Cherubini: Requiem in C Minor & Marche funèbre - Beethoven: Elegiac Song, Op. 118 by Luigi Cherubini, Martin Pearlman, Boston Baroque. Requiem in C Minor: II. Graduale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem in C Minor: II. Graduale BPM

The tempo marking of Requiem in C Minor: II. Graduale by Luigi Cherubini, Martin Pearlman, Boston Baroque is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Requiem in C Minor: II. Graduale Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Stabat Mater: 2. Cujus animam	Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood	G Major	1	9B	79 BPM
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109	Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists	A♭ Major	2	4B	61 BPM
Requiem in D Minor, WAB 39: I. Introitus. Requiem	Anton Bruckner, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz	B Minor	1	10A	166 BPM
Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro	Johann Sebastian Bach, Boston Baroque, Martin Pearlman, Daniel Stepner, Christopher Krueger, Roy Sansom	E Major	4	12B	102 BPM
Wachet auf, ruft uns die Stimme BWV 140: Chorale: Wachet auf, ruft uns die Stimme	Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Chior, Sandrine Piau, Johannette Zomer, Caroline Stam	A♭ Major	1	4B	172 BPM
Requiem: I. Requiem	Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens	C Minor	0	5A	69 BPM
Der Stein der Weisen, Act I: Seht doch! Mit gold'nem Geweih	Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas	E♭ Major	2	5B	77 BPM
Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio	Johann Sebastian Bach, Boston Baroque, Martin Pearlman	A Major	2	11B	123 BPM
Vespers of 1610, SV 206: II. Psalm 109. Dixit Dominus	Claudio Monteverdi, Martin Pearlman, Boston Baroque, Unknown Artist	A♭ Minor	6	1A	142 BPM
Magnificat in D Major: I. Magnificat	Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Kammerchor Stuttgart, Frieder Bernius	E♭ Major	0	5B	66 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6317901611328125

End: 0.636805534362793