"Purcell : King Arthur : Act 1 "Woden, first to thee" [Bass, Chorus]" by William Christie was released on 1995. The duration of Purcell : King Arthur : Act 1 "Woden, first to thee" [Bass, Chorus] is about 3 minutes long, at 3:23. Based on our data, "Purcell : King Arthur : Act 1 "Woden, first to thee" [Bass, Chorus]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 41 in the song's album "Purcell : King Arthur". In this album, this song's track order is #3. Based on our statistics, Purcell : King Arthur : Act 1 "Woden, first to thee" [Bass, Chorus]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell : King Arthur : Act 1 "Woden, first to thee" [Bass, Chorus] by William Christie having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalli / Arr Pluhar: L'Ormindo: L'Armonia (Prologo) | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | G Minor | 1 | 6A | 79 BPM | ||
Platée, Acte 1 Scène 4: Air et Récit "Pour un amant qui sait plaire" (Platée, Cithéron) | Jean-Philippe Rameau, Les Arts Florissants, William Christie, Marcel Beekman, Marc Mauillon | F Minor | 1 | 4A | 149 BPM | ||
Purcell : King Arthur : Act 2 "Hither, this way, this way bend" [Soprano, Chorus] | William Christie | C Minor | 1 | 5A | 182 BPM | ||
Les Indes galantes, Prologue, Scène 5: "Traversez les plus vastes mers" (L'Amour, Hébé, Choeur) | Jean-Philippe Rameau, Isabelle Poulenard, Claron McFadden, Les Arts Florissants, William Christie | F♯ Major | 1 | 2B | 85 BPM | ||
L'Orfeo, Ato primo: III. Rosa del ciel | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Arianna Savall, La Capella Reial De Catalunya, Le Concert Des Nations | D Minor | 1 | 7A | 130 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Mass in B Minor, BWV 232: Sanctus & Benedictus - Sanctus (Chorus) | Johann Sebastian Bach, The Sixteen, Harry Christophers | D♭ Major | 3 | 3B | 80 BPM | ||
Venus & Adonis: Overture | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | D♭ Minor | 3 | 12A | 116 BPM | ||
Charpentier : Médée, Prologue: Passepied | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | A Major | 2 | 11B | 136 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 3, Rezitativ. "Und Gott machte das Firmament" (Raphael) | Joseph Haydn, William Christie, Dietrich Henschel, Les Arts Florissants | B♭ Major | 4 | 6B | 116 BPM |
Section: 0.627152681350708
End: 0.6306629180908203