Luigi Boccherini, Dominique Labelle, Sarasa Ensemble's 'Stabat Mater, G. 532 (1781 Version): I. Stabat Mater Dolorosa' came out on April 12, 2019. With this song being about 5 minutes long, at 4:40, "Stabat Mater, G. 532 (1781 Version): I. Stabat Mater Dolorosa" by Luigi Boccherini, Dominique Labelle, Sarasa Ensemble is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 19 in Boccherini: Stabat Mater, G. 532, String Quartet, Op. 52 No. 3 & String Quintet, Op. 42 No. 1 by Luigi Boccherini, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Stabat Mater, G. 532 (1781 Version): I. Stabat Mater Dolorosa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat Mater, G. 532 (1781 Version): I. Stabat Mater Dolorosa by Luigi Boccherini, Dominique Labelle, Sarasa Ensemble is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Filiae Mestae Jerusalem, RV 638: "Sed tenebris diffusis" | Antonio Vivaldi, Philippe Jaroussky, Ensemble Artaserse | B♭ Major | 0 | 6B | 76 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 2 | 5A | 93 BPM | ||
Amarilli mia bella | Giulio Caccini, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 91 BPM | ||
Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] | William Christie | F Minor | 1 | 4A | 94 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio | Francesco Geminiani, Capella Istropolitana | D Minor | 1 | 7A | 103 BPM | ||
Cello Concerto No. 1 in C Hob. VIIb:1: II. Adagio - Cadenza | Franz Joseph Haydn, Gautier Capuçon, Mahler Chamber Orchestra, Daniel Harding | F Major | 0 | 7B | 78 BPM | ||
Cello Concerto in A Major, Wq.172: II. Largo maestoso | Carl Philipp Emanuel Bach, Jean-Guihen Queyras, Ensemble Resonanz, Riccardo Minasi | D Minor | 0 | 7A | 116 BPM | ||
Part I. Overture in E minor: I. Ouverture: Lentement - Vite - Lentement | Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester | E♭ Minor | 2 | 2A | 111 BPM | ||
Quintet No. 5 in D Major for Guitar and Strings, G. 449: II. Menuetto - Allegro | Luigi Boccherini, John Williams, London String Quartet | D Major | 1 | 10B | 135 BPM | ||
String Quintet in C Major, Op. 30, No. 6, G. 324, "La musica notturna delle strade di Madrid": V. Ritirata con variazioni | Luigi Boccherini, Mayumi Seiler, Silvia Walch, Diemut Poppen, Richard Lester, Howard Penny | A Major | 3 | 11B | 118 BPM |
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