Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester's 'Part I. Overture in E minor: I. Ouverture: Lentement - Vite - Lentement' came out on October 21, 2010. Part I. Overture in E minor: I. Ouverture: Lentement - Vite - Lentement is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. In terms of popularity, Part I. Overture in E minor: I. Ouverture: Lentement - Vite - Lentement is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Part I. Overture in E minor: I. Ouverture: Lentement - Vite - Lentement by Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite a-moll TWV55:a2: Suite a-moll TWV55:a2: Ouverture | Georg Philipp Telemann, Maurice Steger, Akademie für Alte Musik Berlin | A♭ Minor | 2 | 1A | 97 BPM | ||
Symphony in E-Flat Major, Op. 11, No. 3: IV. Prestissimo | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | E♭ Major | 2 | 5B | 83 BPM | ||
Concerto for Viola, Strings and Continuo in G Major, TWV 51:G9: IV. Presto | Georg Philipp Telemann, Nils Mönkemeyer | G Major | 3 | 9B | 134 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Flute Sonata in E Minor, Op. 5, No. 8: II. Allemanda: Allegro | Arcangelo Corelli, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | D Minor | 2 | 7A | 128 BPM | ||
Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: IV. Allegro | Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien | A Major | 2 | 11B | 121 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
Telemann: Concerto for Four Violins in G Major, TWV 40:201: IV. Vivace | Georg Philipp Telemann, Nikolaus Harnoncourt, Alice Harnoncourt, Kurt Theiner, Peter Schoberwalter, Walter Pfeiffer, Concentus Musicus Wien | D Major | 0 | 10B | 85 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM |
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