"Amarilli mia bella" by Giulio Caccini, Andreas Scholl, Edin Karamazov was released on January 1, 2000. The duration of Amarilli mia bella is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Amarilli mia bella's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 21 in Andreas Scholl - Robert Dowland's "A Musicall Banquet" by Andreas Scholl, Edin Karamazov, Marcus Märkl, Christophe Coin. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Amarilli mia bella is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Amarilli mia bella by Giulio Caccini, Andreas Scholl, Edin Karamazov is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Act 3 "Tis I that have warm'd ye" [Soprano] "Tis love that has warm'd us" [Chorus] | William Christie | B♭ Major | 2 | 6B | 81 BPM | ||
Maddalena ai piedi di Cristo: No. 2 Aria Amor Terreno "Dormi, o cara, e formi il sonno" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink | D♭ Major | 1 | 3B | 78 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice), Wq. 30 - Vienna Version (1762) / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington | F♯ Major | 0 | 2B | 103 BPM | ||
Les fleurs et les arbres, Op.68, No.2 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Major | 0 | 12B | 102 BPM | ||
Vavox Stabat Mater, Pt. 9 | Vavox, Andreas Scholl | G Major | 5 | 9B | 91 BPM | ||
Salve Regina: No. 4., Eja ergo advocata nostra | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Strike the Viol | Henry Purcell, Voces8, Les Inventions, Barnaby Smith | E Major | 2 | 12B | 125 BPM | ||
All'imperio d'Amore: 4. O che felice giorno a voce sola | Giulio Caccini, Ensemble Pygmalion, Sophie Junker, Raphael Pichon | B♭ Major | 1 | 6B | 99 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Vavox Stabat Mater, Pt. 10 | Vavox, Andreas Scholl | A Minor | 4 | 8A | 144 BPM |
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