Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge made "Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus)" available on January 1, 1977. The duration of Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Il Trovatore by Giuseppe Verdi, Joan Sutherland, Luciano Pavarotti, Nicolai Ghiaurov, Ingvar Wixell, Norma Burrowes, The London Opera Chorus, Terry Edwards, National Philharmonic Orchestra, Richard Bonynge. The song's track number on the album is #9 out of 40 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus)'s popularity is average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) by Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) being at 130 BPM, the half-time would be 65 BPM with a double-time of 260 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Un mari à la porte: Valse Tyrolienne | Jacques Offenbach, Sumi Jo, English Chamber Orchestra, Richard Bonynge | C Minor | 0 | 5A | 131 BPM | ||
Il Barbiere di Siviglia: Largo al factotum | Gioachino Rossini, Riccardo Chailly, Leo Nucci, Orchestra Del Teatro Alla Scala, Milano | C Major | 3 | 8B | 71 BPM | ||
Il Trovatore / Act 2: "Ah, se l'error t'ingombra...Perchè piangete?" | Giuseppe Verdi, The London Opera Chorus, Ingvar Wixell, Nicolai Ghiaurov, Dame Joan Sutherland, Norma Burrowes, National Philharmonic Orchestra, Richard Bonynge | E♭ Major | 0 | 5B | 182 BPM | ||
Sadko: Song of the Indian Guest | Nikolai Rimsky-Korsakov, Vadim Lynkovsky, Maksim Paster, Anton Grigoriev, Bolshoi Theatre Chorus, Bolshoi Theatre Orchestra, Alexander Vedernikov | C Major | 0 | 8B | 107 BPM | ||
The Magic Flute, K. 620: Allegro: "Papagena! Papagena! Weibchen! Täubchen!" | Rundfunkorchester des Südwestfunks Baden-Baden | G Major | 2 | 9B | 111 BPM | ||
Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 169 BPM | ||
Pomp And Circumstance March No 1 | Edward Elgar, Royal Philharmonic Orchestra, Philip Ellis | D Major | 3 | 10B | 88 BPM | ||
Non ti scordar di me (Arr. for Soprano, Tenor and Orchestra by Giancarlo Chiaramello) | Ernesto de Curtis, Anna Netrebko, Yusif Eyvazov, Royal Philharmonic Orchestra, Jader Bignamini | A Major | 2 | 11B | 81 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM |
Section: 0.688640832901001
End: 0.6936261653900146