Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet)
Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge
Delibes: Lakmé - Highlights
6:03 January 1, 1968
BPM
84
Key
B Major
Camelot
1B

Embed

Share Link

Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) - Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge Information

Acousticness
98%
Danceability
23%
Energy
6%
Instrumentalness
0%
Liveness
41%
Loudness
63%
Speechiness
4%
Valence
6%
Popularity
Loudness
-22.228 dB

Summary

"Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet)" by Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge was released on January 1, 1968. Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The song is number 1 out of 11 in Delibes: Lakmé - Highlights by Léo Delibes, Dame Joan Sutherland, Alain Vanzo, Gabriel Bacquier, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) BPM

The tempo marking of Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) by Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) Key

This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee by Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony BramallTale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-BeeNikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony BramallD Minor07A77 BPM
La Sonnambula / Act 1: Care compagne, e voi, tenere amici by Vincenzo Bellini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard BonyngeLa Sonnambula / Act 1: Care compagne, e voi, tenere amiciVincenzo Bellini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard BonyngeF Major17B115 BPM
Son tutta duolo by Alessandro Scarlatti, Cecilia Bartoli, György FischerSon tutta duoloAlessandro Scarlatti, Cecilia Bartoli, György FischerG Minor06A92 BPM
Cavalleria rusticana: Cavalleria rusticana: "Gli aranci olezzano sui verdi margini"Pietro Mascagni, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea GavazzeniA Major111B75 BPM
Casanova: Nuns' Chorus by Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard BonyngeCasanova: Nuns' ChorusJohann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard BonyngeF♯ Major22B88 BPM
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): I. Allegro non motoKaroly BotvayG Minor16A132 BPM
Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt) by Alexander Borodin, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas BeechamBorodin: Prince Igor, Act II: Polovtsian Dances (Excerpt)Alexander Borodin, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas BeechamA Major111B79 BPM
Stabat Mater, P. 77: I. Stabat mater dolorosa by Giovanni Battista Pergolesi, Lucy Crowe, Tim Mead, La Nuova Musica, David BatesStabat Mater, P. 77: I. Stabat mater dolorosaGiovanni Battista Pergolesi, Lucy Crowe, Tim Mead, La Nuova Musica, David BatesE Minor09A71 BPM
Torna a Surriento (Arr. Chiaramello) by Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato BalsadonnaTorna a Surriento (Arr. Chiaramello)Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato BalsadonnaC Minor05A69 BPM
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono by Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeLucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suonoGaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeF Minor14A92 BPM
ISRC
GBF076740405
Label
L-M Records/RCA Records

Section: 0.6383185386657715

End: 0.6418218612670898