"Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt)" by Alexander Borodin, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham was released on February 26, 2010. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 50 Best Classics, so we believe that "Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt)" is a single. Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt) by Alexander Borodin, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3 in D, BWV 1068: 2. Air | Johann Sebastian Bach, Kammerorchester "Carl Philipp Emanuel Bach", Peter Schreier | B Minor | 5 | 10A | 127 BPM | ||
Adagio in G Minor | Tomaso Albinoni, Vladimir Fedoseyev, Moscow RTV Symphony Orchestra | A Minor | 0 | 8A | 129 BPM | ||
If Saphir I Choose to Marry from "Patience" | James Walker, Royal Philharmonic Orchestra, The Soloists | E♭ Major | 4 | 5B | 129 BPM | ||
5 Lieder, Op. 49: No. 4, Wiegenlied | Johannes Brahms, Elly Ameling, Dalton Baldwin | E♭ Major | 0 | 5B | 92 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus | César Franck, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezső Karasszon, Andrea Kocsis, Zsolt Molnár, Ferenc Nagy, Debrecen Kodály Choir, Salamon Kamp | A Major | 0 | 11B | 89 BPM | ||
Schindler's List: Main Theme | John Williams, Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth | D Minor | 1 | 7A | 68 BPM | ||
Lucia di Lammermoor / Act 3: "Il dolce suono" | Gaetano Donizetti, Montserrat Caballé, Ann Murray, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos | D Minor | 0 | 7A | 84 BPM | ||
Moment Musical in A-Flat Major Op. 94: III. | Franz Schubert, Latvian Philharmonic Chamber Orchestra, Ilmar Lapinsch | G Major | 3 | 9B | 86 BPM |
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