Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus
César Franck, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezső Karasszon, Andrea Kocsis, Zsolt Molnár, Ferenc Nagy, Debrecen Kodály Choir, Salamon Kamp
Franck: Mass in A Major
5:01 July 15, 2014
BPM
89
Key
A Major
Camelot
11B

Embed

Share Link

Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus - César Franck, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezső Karasszon, Andrea Kocsis, Zsolt Molnár, Ferenc Nagy, Debrecen Kodály Choir, Salamon Kamp Information

Acousticness
98%
Danceability
17%
Energy
3%
Instrumentalness
21%
Liveness
9%
Loudness
53%
Speechiness
5%
Valence
4%
Popularity
Loudness
-28.409 dB

Summary

"Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus" by César Franck, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezső Karasszon, Andrea Kocsis, Zsolt Molnár, Ferenc Nagy, Debrecen Kodály Choir, Salamon Kamp was released on July 15, 2014. With this song being about 5 minutes long, at 5:01, "Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus" by César Franck, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezső Karasszon, Andrea Kocsis, Zsolt Molnár, Ferenc Nagy, Debrecen Kodály Choir, Salamon Kamp is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 8 in Franck: Mass in A Major by César Franck, Salamon Kamp. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus BPM

The tempo marking of Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus by César Franck, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezső Karasszon, Andrea Kocsis, Zsolt Molnár, Ferenc Nagy, Debrecen Kodály Choir, Salamon Kamp is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato by César Franck, Renaud Capuçon, Khatia BuniatishviliFranck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderatoCésar Franck, Renaud Capuçon, Khatia BuniatishviliF♯ Minor111A73 BPM
Wiegenlied, Op. 49, No. 4 by Johannes Brahms, Leonidas Kavakos, Yuja WangWiegenlied, Op. 49, No. 4Johannes Brahms, Leonidas Kavakos, Yuja WangE♭ Major05B74 BPM
Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] by Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo GendaZigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German]Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo GendaB♭ Major16B111 BPM
Ständchen (From Schwanengesang, D957) by Franz Liszt, Evgeny KissinStändchen (From Schwanengesang, D957)Franz Liszt, Evgeny KissinD Major010B68 BPM
Le Carnaval des Animaux, R. 125: XIII. Le Cygne by Camille Saint-Saëns, Neeme Järvi, Bergen Philharmonic Orchestra, Louis Lortie, Hélène MercierLe Carnaval des Animaux, R. 125: XIII. Le CygneCamille Saint-Saëns, Neeme Järvi, Bergen Philharmonic Orchestra, Louis Lortie, Hélène MercierG Major09B84 BPM
A Chloris by Reynaldo Hahn, Véronique Gens, Susan ManoffA ChlorisReynaldo Hahn, Véronique Gens, Susan ManoffE Major112B133 BPM
Le carnaval des animaux, R. 125: Le cygne by Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber OrchestraLe carnaval des animaux, R. 125: Le cygneCamille Saint-Saëns, Mischa Maisky, Orpheus Chamber OrchestraC Major08B83 BPM
Eternal Source Of Light Divine (Ode For The Birthday Of Queen Anne), HWV 74 by George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry ChristophersEternal Source Of Light Divine (Ode For The Birthday Of Queen Anne), HWV 74George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry ChristophersD♭ Major23B76 BPM
Rigoletto / Act 1: Rigoletto / Act 1: "Gualtier Maldè...Caro nome"Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-PradelliE Major012B85 BPM
Ladies In Lavender - Main Theme - (Ladies in Lavender) by Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill KarabitsLadies In Lavender - Main Theme - (Ladies in Lavender)Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill KarabitsD Major210B87 BPM
ISRC
HUA253157905
Label
L-M Records/RCA Records

Section: 0.7958331108093262

End: 0.8004252910614014