Lucia di Lammermoor / Act 3: "Il dolce suono"
Gaetano Donizetti, Montserrat Caballé, Ann Murray, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos
Donizetti: Lucia di Lammermoor
6:48 January 1, 2002
BPM
84
Key
D Minor
Camelot
7A

Embed

Share Link

Lucia di Lammermoor / Act 3: "Il dolce suono" - Gaetano Donizetti, Montserrat Caballé, Ann Murray, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos Information

Acousticness
98%
Danceability
26%
Energy
3%
Instrumentalness
0%
Liveness
11%
Loudness
62%
Speechiness
7%
Valence
4%
Popularity
Loudness
-22.51 dB

Summary

"Lucia di Lammermoor / Act 3: "Il dolce suono"" by Gaetano Donizetti, Montserrat Caballé, Ann Murray, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos was released on January 1, 2002. Since Lucia di Lammermoor / Act 3: "Il dolce suono" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 37 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Montserrat Caballé, José Carreras, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos. Lucia di Lammermoor / Act 3: "Il dolce suono" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Lucia di Lammermoor / Act 3: "Il dolce suono" BPM

The tempo marking of Lucia di Lammermoor / Act 3: "Il dolce suono" by Gaetano Donizetti, Montserrat Caballé, Ann Murray, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Lucia di Lammermoor / Act 3: "Il dolce suono" Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Cavalleria rusticana: Cavalleria rusticana: "Regina coeli laetare"Pietro Mascagni, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea GavazzeniG Major39B87 BPM
Poliuto (1997 Digital Remaster), ATTO TERZO, Scene seconda: Ah! fuggi da morte (Paolina/Poliuto) by Gaetano Donizetti, Salvatore Cammarano, Maria Callas, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di MilanPoliuto (1997 Digital Remaster), ATTO TERZO, Scene seconda: Ah! fuggi da morte (Paolina/Poliuto)Gaetano Donizetti, Salvatore Cammarano, Maria Callas, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di MilanE Major212B127 BPM
Exercises in Free Love - Montserrat Vocal by Montserrat CaballéExercises in Free Love - Montserrat VocalMontserrat CaballéD Major510B172 BPM
Andrea Chénier / Act 3: Andrea Chénier / Act 3: "La mamma morta"Umberto Giordano, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert AdlerB Minor110A169 BPM
Carmen / Act 2: Chanson: Carmen / Act 2: Chanson: "Les tringles des sistres tintaient"Georges Bizet, Elina Garanca, Cristina Antoaneta Pasaroiu, Giuseppina Bridelli, Orchestra Sinfonica Nazionale Della RAI, Karel Mark ChichonC Major18B111 BPM
Norma / Act 2: Si, fino all'ore estreme by Vincenzo Bellini, Dame Joan Sutherland, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard BonyngeNorma / Act 2: Si, fino all'ore estremeVincenzo Bellini, Dame Joan Sutherland, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard BonyngeE♭ Major25B115 BPM
Otello: Ave Maria (Atto IV) by Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno, Elizabeth BainbridgeOtello: Ave Maria (Atto IV)Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno, Elizabeth BainbridgeA♭ Major04B88 BPM
Pagliacci: Recitar!...Vesti la giubba (Act I) by Ruggero Leoncavallo, Philharmonia Orchestra, Riccardo Muti, José CarrerasPagliacci: Recitar!...Vesti la giubba (Act I)Ruggero Leoncavallo, Philharmonia Orchestra, Riccardo Muti, José CarrerasE Major212B98 BPM
La belle Hélène / Act 1: Au mont Ida...Le jugement de Paris by Jacques Offenbach, Joseph Calleja, Academy of St. Martin in the Fields, Carlo RizziLa belle Hélène / Act 1: Au mont Ida...Le jugement de ParisJacques Offenbach, Joseph Calleja, Academy of St. Martin in the Fields, Carlo RizziB♭ Major26B96 BPM
I puritani: Qui la voce sua soave by Vincenzo Bellini, Luba Orgonasova, Symfonický orchester Slovenského rozhlasu, Will HumburgI puritani: Qui la voce sua soaveVincenzo Bellini, Luba Orgonasova, Symfonický orchester Slovenského rozhlasu, Will HumburgA♭ Major14B103 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6852760314941406

End: 0.6882998943328857