"Andrea Chénier / Act 3: "La mamma morta"" by Umberto Giordano, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler was released on January 1, 2004. Andrea Chénier / Act 3: "La mamma morta" is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The track order of this song in Maria Chiara's "Maria Chiara: The Decca Recitals" album is number 7 out of 28. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Andrea Chénier / Act 3: "La mamma morta" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Andrea Chénier / Act 3: "La mamma morta" by Umberto Giordano, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Act Two (Part One) | Renata Tebaldi, Fernando Corena, Giulietta Simionato, Cornell MacNeil, Piero de Palma, Singverein des Gesellschaft der Musikfreunde, Eugenia Ratti, Carlo Bergonzi, Arnold van Mill, Vienna Philharmonic Orchestra, Herbert von Karajan | F Minor | 1 | 4A | 147 BPM | ||
Mefistofele: Epilogue - Ave Signor - Odi il canto d'amor | Arrigo Boito, Riccardo Muti | E Major | 4 | 12B | 139 BPM | ||
"Heia, heia, in den Bergen ist mein Heimatland" | Emmerich Kálmán, Anna Netrebko | C Minor | 4 | 5A | 72 BPM | ||
Andrea Chénier / Act 1: Questo azzurra sofà ... Compiacente a'colloqui ... Son | Umberto Giordano, Neil Howlett, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | F♯ Minor | 3 | 11A | 81 BPM | ||
L'elisir d'amore, Act II: Una furtiva lagrima | Gaetano Donizetti, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Minor | 1 | 3A | 80 BPM | ||
A Chloris | Reynaldo Hahn, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 1 | 12B | 175 BPM | ||
Andrea Chénier: Un dì all'azzuro spazio | Umberto Giordano, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | D Major | 2 | 10B | 106 BPM | ||
Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | ||
'T was Not the Wind | Nikolai Rimsky-Korsakov, Anna Netrebko | F Major | 1 | 7B | 81 BPM |
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