Jacques Offenbach, Joseph Calleja, Academy of St. Martin in the Fields, Carlo Rizzi made "La belle Hélène / Act 1: Au mont Ida...Le jugement de Paris" available on July 2, 2021. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 60 in the song's album "Offenbach". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, La belle Hélène / Act 1: Au mont Ida...Le jugement de Paris is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With La belle Hélène / Act 1: Au mont Ida...Le jugement de Paris by Jacques Offenbach, Joseph Calleja, Academy of St. Martin in the Fields, Carlo Rizzi having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 74 BPM | ||
Lohengrin: Treulich gefuhrt ziehet dahin | John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn | B♭ Major | 0 | 6B | 70 BPM | ||
Symphony No. 2 in D, Op. 36: 3. Scherzo (Allegro) | Ludwig van Beethoven, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 142 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 2 | 11B | 102 BPM | ||
Dvorák: Rusalka, B. 203, Op. 114, Act 1: 'Song to the Moon' (Rusalka) | Antonín Dvořák, Eva Urbanova, Ondrej Lenárd, Prague Symphony Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 5: Solveig's Cradle Song | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 93 BPM | ||
La Cenerentola / Act 1: "Una volta c'era un re" | Gioachino Rossini, Cecilia Bartoli, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D Minor | 0 | 7A | 106 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
L'italiana in Algeri: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 143 BPM |
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