"La Cenerentola / Act 1: "Una volta c'era un re"" by Gioachino Rossini, Cecilia Bartoli, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly had its release date on January 1, 1993. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. La Cenerentola / Act 1: "Una volta c'era un re"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, La Cenerentola / Act 1: "Una volta c'era un re" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Cenerentola / Act 1: "Una volta c'era un re" by Gioachino Rossini, Cecilia Bartoli, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Caro mio ben | Tomasso Giordani, Cecilia Bartoli, Jean-Yves Thibaudet | E♭ Major | 0 | 5B | 97 BPM | ||
Andrea Chénier / Act 3: La mamma morta | Umberto Giordano, Montserrat Caballé, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | B Minor | 1 | 10A | 79 BPM | ||
Nabucco / Act 4: Oh! chi vegg'io | Giuseppe Verdi, Piero Cappuccilli, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | G Major | 0 | 9B | 85 BPM | ||
Rigoletto / Act 2: Cortigiani, vil razza dannata (Rigoletto) | Giuseppe Verdi, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | D♭ Major | 2 | 3B | 86 BPM | ||
Malinconia, ninfa gentile | Vincenzo Bellini, Cecilia Bartoli, James Levine | F Major | 3 | 7B | 107 BPM | ||
Chi vuol la zingarella (from Zingari in Fiera) | Giovanni Paisiello, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 80 BPM | ||
Meyerbeer: Les Huguenots: Et maintenant je dois offrir - Act Two | Giacomo Meyerbeer, Rita Shane, Nicolai Gedda, Jeanette Scovotti, Radio Austria Chorus, Dimiter Petkov, Pedro Farres, Justino Diaz, Enriqueta Tarres | D♭ Major | 6 | 3B | 97 BPM | ||
Il Barbiere di Siviglia: Mi par d'esser con la testa - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | F♯ Major | 5 | 2B | 86 BPM | ||
The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | ||
La fille du régiment / Act 1: La la la ...chacum le sait, chacun le dit | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Spiro Malas, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 2 | 7B | 180 BPM |