Giovanni Paisiello, Cecilia Bartoli, György Fischer's 'Chi vuol la zingarella (from Zingari in Fiera)' came out on January 1, 1992. The duration of Chi vuol la zingarella (from Zingari in Fiera) is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Chi vuol la zingarella (from Zingari in Fiera)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 21 in Cecilia Bartoli - Arie Antiche: Se tu m'ami by Cecilia Bartoli, György Fischer. Chi vuol la zingarella (from Zingari in Fiera) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Chi vuol la zingarella (from Zingari in Fiera) by Giovanni Paisiello, Cecilia Bartoli, György Fischer is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
La Cenerentola / Act 2: Della Fortuna instabile...Sposa - Signor perdona... | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 1 | 12B | 92 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
Arminio: "Da Le Stragi" | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 6 | 1B | 120 BPM | ||
Griselda, RV 718 / Act 3: Dopo un' orrida procella | Antonio Vivaldi, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | B♭ Major | 1 | 6B | 85 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima...Eccola!" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | F Minor | 1 | 4A | 175 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
Il barbiere di Siviglia / Act 1: No. 7 Duetto: "Dunque io son... tu non m'inganni?" | Gioachino Rossini, Cecilia Bartoli, Bryn Terfel, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | D Minor | 2 | 7A | 94 BPM | ||
La superbia d'Alessandro: "Non prendo consiglio" | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | A♭ Major | 3 | 4B | 126 BPM | ||
4 Melodies, Op. 39: No. 4, Les roses d'Ispahan | Gabriel Fauré, Kathleen Battle, James Levine | D Major | 0 | 10B | 80 BPM |
Section: 0.7630198001861572
End: 0.7666175365447998