"Malinconia, ninfa gentile" by Vincenzo Bellini, Cecilia Bartoli, James Levine was released on January 1, 1997. With Malinconia, ninfa gentile being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 20 in Cecilia Bartoli - An Italian Songbook by Cecilia Bartoli, James Levine. In terms of popularity, Malinconia, ninfa gentile is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Malinconia, ninfa gentile by Vincenzo Bellini, Cecilia Bartoli, James Levine is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'italiana in Algeri / Act 1: "Cruda sorte! Amor tiranno!" | Gioachino Rossini, Cecilia Bartoli, Arnold Schoenberg Chor, Vienna Volksoper Orchestra, Giuseppe Patanè | A Major | 1 | 11B | 109 BPM | ||
Mass in C, K.317 "Coronation": 4. Sanctus | Wolfgang Amadeus Mozart, Sylvia McNair, Delores Ziegler, Hans Peter Blochwitz, Andreas Schmidt, Sigurd Brauns, RIAS Kammerchor, Marcus Creed, Berliner Philharmoniker, James Levine | C Major | 3 | 8B | 73 BPM | ||
Bellini: Norma, Act 1: "Ah! si! fa core e abbracciami" (Norma, Adalgisa) | Vincenzo Bellini, Maria Callas, Christa Ludwig, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 2 | 8B | 91 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Aria. "Kak ya lyublyu pod zvuki pesen etikh" - "Uzh kak po mostu, mostochku" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
I Vespri Siciliani (Highlights): Act IV: È di Monforte il cenno | Giuseppe Verdi, James Levine | G Major | 1 | 9B | 80 BPM | ||
Dido and Aeneas: Dido's Lament | Jessye Norman | C Minor | 2 | 5A | 89 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Alessandro nell'Indie: Quanto invidio la sorte… Chi vive amante | Leonardo Vinci, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | F♯ Major | 3 | 2B | 117 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
I Vespri Siciliani (Highlights): Act II: Viva la guerra | Giuseppe Verdi, James Levine | E Major | 7 | 12B | 75 BPM |
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