Wolfgang Amadeus Mozart, Sylvia McNair, Delores Ziegler, Hans Peter Blochwitz, Andreas Schmidt, Sigurd Brauns, RIAS Kammerchor, Marcus Creed, Berliner Philharmoniker, James Levine's 'Mass in C, K.317 "Coronation": 4. Sanctus' came out on January 1, 1992. With Mass in C, K.317 "Coronation": 4. Sanctus being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Berliner Philharmoniker, James Levine's "Krönungsmesse KV317/Paukenmesse (Classical Choice)" album is number 4 out of 12. On top of that, Germany appears to be the country where this track was created. Mass in C, K.317 "Coronation": 4. Sanctus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in C, K.317 "Coronation": 4. Sanctus by Wolfgang Amadeus Mozart, Sylvia McNair, Delores Ziegler, Hans Peter Blochwitz, Andreas Schmidt, Sigurd Brauns, RIAS Kammerchor, Marcus Creed, Berliner Philharmoniker, James Levine to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No.2: Intermezzo | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 88 BPM | ||
Symphony No. 9 in C, D.944 - "The Great": 4. Allegro vivace | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 124 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Missa brevis In C, K.220 "Spatzenmesse": 4. Sanctus | Wolfgang Amadeus Mozart, Edith Mathis, Tatiana Troyanos, Horst Laubenthal, Kieth Engen, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Regensburger Domspatzen, Hans Schrems | A Minor | 1 | 8A | 94 BPM | ||
Symphony No.6 In F, Op.68 -"Pastoral": 2. Szene am Bach: (Andante molto mosso) | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 82 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": II. Vivace non troppo | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 123 BPM | ||
Te Deum, WAB 45: 3. Aeterna fac | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | B♭ Major | 4 | 6B | 64 BPM | ||
Vesperae solennes de confessore in C, K.339: 4. Laudate pueri Dominum | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | E♭ Major | 2 | 5B | 130 BPM | ||
Symphony No. 3 In E Flat, Op. 97 - "Rhenish": 1. Lebhaft (I) | Robert Schumann, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 125 BPM |
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