"Missa brevis In C, K.220 "Spatzenmesse": 4. Sanctus" by Wolfgang Amadeus Mozart, Edith Mathis, Tatiana Troyanos, Horst Laubenthal, Kieth Engen, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Regensburger Domspatzen, Hans Schrems was released on January 1, 1998. With Missa brevis In C, K.220 "Spatzenmesse": 4. Sanctus being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan, Wiener Philharmoniker, James Levine, Bavarian Radio Symphony Orchestra, Rafael Kubelik's "Mozart: Requiem; Great Mass in C minor; Missa brevis in C major" album is number 18 out of 34. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Missa brevis In C, K.220 "Spatzenmesse": 4. Sanctus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa brevis In C, K.220 "Spatzenmesse": 4. Sanctus by Wolfgang Amadeus Mozart, Edith Mathis, Tatiana Troyanos, Horst Laubenthal, Kieth Engen, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Regensburger Domspatzen, Hans Schrems to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Stabat Mater (Hob. XXbis)- 1767: XIIIa.Quando corpus morietur | Joseph Haydn, Patricia Rozario, Catherine Robbin, The English Concert Choir, The English Concert, Trevor Pinnock | F♯ Minor | 0 | 11A | 141 BPM | ||
The Creation, Hob.XXI,2: Pt. 1, In the Beginning | Joseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Matthew Brook, Harry Christophers | B♭ Minor | 0 | 3A | 103 BPM | ||
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt Coffee süße | Johann Sebastian Bach, Emma Kirkby, Lisa Beznosiuk, Academy of Ancient Music, Christopher Hogwood | B♭ Minor | 1 | 3A | 66 BPM | ||
Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 26. Chor: "Vollendet ist das große Werk" - 27. Terzett: "Zu dir, o Herr" - 28. Chor: "Vollendet ist das große Werk" | Franz Joseph Haydn, Gundula Janowitz, Werner Krenn, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 3 | 5B | 109 BPM | ||
Vexilla regis | Anton Bruckner, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe, Ensemble Musique Oblique | F Major | 0 | 7B | 82 BPM | ||
Mozart: Mass No. 16 in C Major, K. 337, "Missa solemnis": II. Gloria. Allegro molto (Chorus, Soprano, Alto, Tenor, Bass) | Wolfgang Amadeus Mozart, Peter Neumann/Collegium Cartusianum Köln/Kölner Kammerchor/Patrizia Kwella/Ulla Groenewold/Christoph Prégardien/Franz-Josef Selig, Peter Neumann, Collegium Cartusianum | B Major | 9 | 1B | 131 BPM | ||
Psalm 42, Op. 42, MWV A15: Denn ich wollte (Soprano, Chorus) | Felix Mendelssohn, Sibylla Rubens, Scot Weir, Christoph Genz, Matthias Goerne, Thomas Mehnert, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D♭ Major | 2 | 3B | 121 BPM | ||
Mass in C Major, Op. 86: II. Gloria | Ludwig van Beethoven, Sir Colin Davis, Sally Matthews, London Symphony Chorus, London Symphony Orchestra, John Mark Ainsley, Sara Mingardo, Alastair Miles | C Major | 1 | 8B | 97 BPM | ||
Die Schöpfung, Hob. XXI:2 / Erster Teil: 10. Chor: "Stimmt an die Saiten" | Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | D Major | 5 | 10B | 114 BPM | ||
Requiem in D Minor, K. 626: III. Tuba mirum (Sequenz) | Wolfgang Amadeus Mozart, Laurence Equilbey, Sandrine Piau, Sara Mingardo, Accentus, Insula Orchestra, Christopher Purves, Werner Güra | B Minor | 1 | 10A | 135 BPM |
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