Missa brevis In C, K.220 "Spatzenmesse": 4. Sanctus
Wolfgang Amadeus Mozart, Edith Mathis, Tatiana Troyanos, Horst Laubenthal, Kieth Engen, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Regensburger Domspatzen, Hans Schrems
Mozart: Requiem; Great Mass in C minor; Missa brevis in C major
0:54 January 1, 1998
BPM
94
Key
A Minor
Camelot
8A

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Missa brevis In C, K.220 "Spatzenmesse": 4. Sanctus - Wolfgang Amadeus Mozart, Edith Mathis, Tatiana Troyanos, Horst Laubenthal, Kieth Engen, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Regensburger Domspatzen, Hans Schrems Information

Acousticness
99%
Danceability
30%
Energy
6%
Instrumentalness
0%
Liveness
12%
Loudness
67%
Speechiness
4%
Valence
4%
Popularity
Loudness
-19.936 dB

Summary

"Missa brevis In C, K.220 "Spatzenmesse": 4. Sanctus" by Wolfgang Amadeus Mozart, Edith Mathis, Tatiana Troyanos, Horst Laubenthal, Kieth Engen, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Regensburger Domspatzen, Hans Schrems was released on January 1, 1998. With Missa brevis In C, K.220 "Spatzenmesse": 4. Sanctus being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan, Wiener Philharmoniker, James Levine, Bavarian Radio Symphony Orchestra, Rafael Kubelik's "Mozart: Requiem; Great Mass in C minor; Missa brevis in C major" album is number 18 out of 34. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Missa brevis In C, K.220 "Spatzenmesse": 4. Sanctus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Missa brevis In C, K.220 "Spatzenmesse": 4. Sanctus BPM

We consider the tempo marking of Missa brevis In C, K.220 "Spatzenmesse": 4. Sanctus by Wolfgang Amadeus Mozart, Edith Mathis, Tatiana Troyanos, Horst Laubenthal, Kieth Engen, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Regensburger Domspatzen, Hans Schrems to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.

Missa brevis In C, K.220 "Spatzenmesse": 4. Sanctus Key

The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

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ISRC
DEF056802144
Label
L-M Records/RCA Records

Section: 0.8879563808441162

End: 0.8921120166778564