- BPM
- 109
- Key
- E♭ Major
- Camelot
- 5B
Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 26. Chor: "Vollendet ist das große Werk" - 27. Terzett: "Zu dir, o Herr" - 28. Chor: "Vollendet ist das große Werk" - Franz Joseph Haydn, Gundula Janowitz, Werner Krenn, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein Information
- Acousticness
- 98%
- Danceability
- 30%
- Energy
- 27%
- Instrumentalness
- 9%
- Liveness
- 35%
- Loudness
- 74%
- Speechiness
- 4%
- Valence
- 14%
- Popularity
- 5%
- Loudness
- -15.802 dB
Summary
"Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 26. Chor: "Vollendet ist das große Werk" - 27. Terzett: "Zu dir, o Herr" - 28. Chor: "Vollendet ist das große Werk"" by Franz Joseph Haydn, Gundula Janowitz, Werner Krenn, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein was released on January 1, 1969. Since Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 26. Chor: "Vollendet ist das große Werk" - 27. Terzett: "Zu dir, o Herr" - 28. Chor: "Vollendet ist das große Werk" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan's "Haydn: Die Schöpfung" album is number 7 out of 33. In terms of popularity, Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 26. Chor: "Vollendet ist das große Werk" - 27. Terzett: "Zu dir, o Herr" - 28. Chor: "Vollendet ist das große Werk" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 26. Chor: "Vollendet ist das große Werk" - 27. Terzett: "Zu dir, o Herr" - 28. Chor: "Vollendet ist das große Werk" BPM
We consider the tempo marking of Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 26. Chor: "Vollendet ist das große Werk" - 27. Terzett: "Zu dir, o Herr" - 28. Chor: "Vollendet ist das große Werk" by Franz Joseph Haydn, Gundula Janowitz, Werner Krenn, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 26. Chor: "Vollendet ist das große Werk" - 27. Terzett: "Zu dir, o Herr" - 28. Chor: "Vollendet ist das große Werk" Key
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Stabat Mater (Hob. XXbis)- 1767: XIIIa.Quando corpus morietur | Joseph Haydn, Patricia Rozario, Catherine Robbin, The English Concert Choir, The English Concert, Trevor Pinnock | F♯ Minor | 0 | 11A | 141 BPM | |
 | Die Fledermaus / Act 1: Nr.1 Introduktion: "Täubchen, das entflattert ist" - Edit | Johann Strauss II, Hilde Gueden, Erika Köth, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 66 BPM | |
 | Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": V. Benedictus | Joseph Haydn, Richard Hickox, Collegium Musicum 90, Nancy Argenta, Catherine Denley, Mark Padmore, Stephen Varcoe, Collegium Musicum 90 Choir | C Major | 1 | 8B | 124 BPM | |
 | Mass No. 6 in E flat, D.950: Kyrie | Franz Schubert, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Wolfgang Sawallisch | A Major | 2 | 11B | 145 BPM | |
 | Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 82 BPM | |
| Die Fledermaus / Act 3: Nr.12 Entr'acte | Johann Strauss II, Wiener Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 74 BPM | |
 | Symphony No.9 In D / 4. Satz: Fliessender, doch durchaus nicht eilend | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | B Major | 3 | 1B | 72 BPM | |
 | Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Kathleen Battle, Samuel Ramey, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 87 BPM | |
 | Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 21. Rezitativ: "Gleich öffnet sich der Erde Schoß" | Franz Joseph Haydn, Walter Berry, Josef Nebois, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 170 BPM | |
 | Requiem in D Minor, WAB 39: IVa. Agnus Dei | Anton Bruckner, Johanna Winkel, Sophie Harmsen, Michael Feyfar, Ludwig Mittelhammer, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | C Major | 0 | 8B | 65 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8939661979675293
End: 0.8996603488922119