"Requiem in D Minor, K. 626: III. Tuba mirum (Sequenz)" by Wolfgang Amadeus Mozart, Laurence Equilbey, Sandrine Piau, Sara Mingardo, Accentus, Insula Orchestra, Christopher Purves, Werner Güra was released on September 29, 2014. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Insula Orchestra, Accentus, Laurence Equilbey's "Mozart: Requiem" album is number 4 out of 14. On top of that, France appears to be the country where this track was created. Based on our statistics, Requiem in D Minor, K. 626: III. Tuba mirum (Sequenz)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in D Minor, K. 626: III. Tuba mirum (Sequenz) by Wolfgang Amadeus Mozart, Laurence Equilbey, Sandrine Piau, Sara Mingardo, Accentus, Insula Orchestra, Christopher Purves, Werner Güra to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Requiem In D Minor, K. 626: Agnus Dei | Slovak Philharmonic, Peter Mikulas, Magdaléna Hajóssyová, Slovak Philharmonic Chorus, Jozef Kundlák, Jaroslava Horska, Vladimir Ruso, Stefan Klimo, Wolfgang Amadeus Mozart | F Major | 1 | 7B | 83 BPM | ||
Fauré: Requiem, Op. 48: I. Introït et Kyrie | Gabriel Fauré, Daniel Barenboim, Edinburgh Festival Chorus, Orchestre de Paris | C Major | 2 | 8B | 112 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | C Minor | 1 | 5A | 94 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: No.39 Aria (Alto): "Erbarme dich" | Johann Sebastian Bach, Marie-Claude Chappuis, Gewandhausorchester Leipzig, Riccardo Chailly | E Minor | 0 | 9A | 117 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Stabat Mater, RV 621: II. Cujus animam gementem | Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini | E♭ Minor | 1 | 2A | 139 BPM | ||
Requiem in D Minor, K. 626: No 3, Sequence - Tuba Mirum | Wolfgang Amadeus Mozart, Sir Colin Davis, Marie Arnet, Anna Stephany, London Symphony Orchestra, Andrew Kennedy, Darren Jeffery | D Major | 4 | 10B | 80 BPM | ||
Ständchen, D. 920 | Franz Schubert, Anne Sofie von Otter, Bengt Forsberg, Swedish Radio Choir, Gunnar Andersson | C Major | 3 | 8B | 103 BPM | ||
Dorilla in Tempe, RV 709 / Act I: Dell'aura al sussurrar | Antonio Vivaldi, Cecilia Bartoli, Arnold Schoenberg Chor, Il Giardino Armonico, Giovanni Antonini | C Major | 2 | 8B | 119 BPM | ||
Bach, JS: Mass in B Minor, BWV 232: Gloria in excelsis - Et in terra pax | Johann Sebastian Bach, Chorus of Collegium Vocale, Ghent, Orchestra Of Collegium Vocale, Philippe Herreweghe, Collegium Vocale Gent, Orchestra of Collegium Vocale Gent | D♭ Major | 2 | 3B | 117 BPM |
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