Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini's 'Stabat Mater, RV 621: II. Cujus animam gementem' came out on 1995. With Stabat Mater, RV 621: II. Cujus animam gementem being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Stabat Mater by Antonio Vivaldi, Chiara Banchini, Ensemble 415, Andreas Scholl. The song's track number on the album is #14 out of 21 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, Stabat Mater, RV 621: II. Cujus animam gementem's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Stabat Mater, RV 621: II. Cujus animam gementem by Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini has a tempo of 139 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Stabat Mater, RV 621: II. Cujus animam gementem being at 139 BPM, the half-time would be 70 BPM with a double-time of 278 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Quis Est Homo | Andreas Scholl | D Minor | 0 | 7A | 180 BPM | ||
Orfeo ed Euridice: Act I, Scene 1, Coro: Ah! Se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | C Minor | 1 | 5A | 75 BPM | ||
Mozart : Requiem K. 626 - Rex tremendae | Wolfgang Amadeus Mozart, Jordi Savall, Le Concert Des Nations | A Major | 3 | 11B | 91 BPM | ||
Dido and Aeneas / Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anne Sofie von Otter, The English Concert, Trevor Pinnock | G Minor | 1 | 6A | 82 BPM | ||
Violin Concerto in A Minor, Op. 3, No. 6, RV 356: I. Allegro (arr. for violin and piano) | Anonymous, Antonio Vivaldi, Takako Nishizaki, Terence Dennis | A Minor | 3 | 8A | 94 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Nisi Dominus (Psalm 126), R.608: 8. "Sicut erat in principio" (Allegro) | Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer | F♯ Minor | 1 | 11A | 109 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
Lumi, potete piangere | Giovanni Legrenzi, Christina Pluhar | G Minor | 0 | 6A | 86 BPM |
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