"Te Deum, WAB 45: 3. Aeterna fac" by Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll was released on January 1, 1999. With Te Deum, WAB 45: 3. Aeterna fac being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 16 in Bruckner: Te Deum; Motetten; 150. Psalm by Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Richard Holm, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Bavarian Radio Chorus, Wolfgang Meyer, Hedwig Bilgram. Te Deum, WAB 45: 3. Aeterna fac is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Te Deum, WAB 45: 3. Aeterna fac by Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elektra, Op. 58, TrV 223: "Ich habe ihm das Beil nicht geben können!" | Richard Strauss, Inge Borkh, Jean Madeira, Marianne Schech, Cvetka Ahlin, Margarita Sjostedt, Sieglinde Wagner, Judith Hellwig, Gerda Scheyrer, Staatskapelle Dresden, Karl Böhm, Women's Chorus of the Dresden State Opera Chorus, Ernst Hintze | D♭ Major | 5 | 3B | 179 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 1: Finale I: "Damenwahl!" | Franz Lehár, Elizabeth Harwood, René Kollo, Donald Grobe, Werner Krenn, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | G Major | 1 | 9B | 94 BPM | ||
Requiem: XV. Lux Aeterna | Giuseppe Verdi, Sir Colin Davis, Stuart Neill, Karen Cargill, London Symphony Orchestra, John Relyea | E♭ Major | 0 | 5B | 62 BPM | ||
Requiem in D Minor, WAB 39: I. Introitus. Requiem | Anton Bruckner, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | B Minor | 1 | 10A | 166 BPM | ||
Messe solennelle, H 20: Resurrexit - Original Version | Hector Berlioz, Gilles Cachemaille, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | C Minor | 2 | 5A | 119 BPM | ||
Libera me, WAB 21 | Anton Bruckner, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones | D Major | 0 | 10B | 133 BPM | ||
Requiem: VI. Rex Tremendae | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | C Minor | 1 | 5A | 108 BPM | ||
Götterdämmerung, WWV 86D / Dritter Aufzug: "Zurück vom Ring!" | Richard Wagner, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 68 BPM | ||
Tosca / Act I: Mario! Mario! Mario! | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 104 BPM | ||
Petite messe solennelle: Petite messe solennelle: Sanctus | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 1 | 8B | 81 BPM |
Section: 0.873542308807373
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