"Libera me, WAB 21" by Anton Bruckner, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones was released on December 31, 1994. Libera me, WAB 21 is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The song is number 3 out of 15 in Bruckner: Motets by Anton Bruckner. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Libera me, WAB 21's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Libera me, WAB 21 by Anton Bruckner, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: Gloria: Petite messe solennelle: Gloria: V. Qui tollis | Gioachino Rossini, Birgit Remmert, Marcus Creed, Hanno Müller-Brachmann, RIAS Kammerchor, Steve Davislim, Krassimira Stoyanova | B♭ Minor | 1 | 3A | 79 BPM | ||
Prelude in D Minor, WAB 130 | Anton Bruckner, Gerd Schaller | D Minor | 0 | 7A | 100 BPM | ||
Christus factus est, WAB 11 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | D Major | 2 | 10B | 116 BPM | ||
Stabat Mater: XII. Fac ut animae donatur | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Requiem aeternam: Dies irae | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 3 | 7A | 88 BPM | ||
Mass in B Minor, BWV 232: Gloria. Gloria in excelsis Deo (Chorus) | Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | D♭ Major | 4 | 3B | 92 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Kyrie | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Major | 3 | 3B | 163 BPM | ||
Bach, JS: Mass in B Minor, BWV 232: Gloria in excelsis - Et in terra pax | Johann Sebastian Bach, Chorus of Collegium Vocale, Ghent, Orchestra Of Collegium Vocale, Philippe Herreweghe, Collegium Vocale Gent, Orchestra of Collegium Vocale Gent | D♭ Major | 2 | 3B | 117 BPM | ||
Frauenliebe und -leben Op. 42: 2. Er, der Herrlichste von allen | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | G Major | 0 | 9B | 73 BPM | ||
Stabat Mater, Op. 58: IX. Inflammatus et accensus (Andante maestoso) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Michaela Selinger | G Major | 1 | 9B | 92 BPM |
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