"Andrea Chénier / Act 3: La mamma morta" by Umberto Giordano, Montserrat Caballé, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly was released on January 1, 1984. Since Andrea Chénier / Act 3: La mamma morta is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Umberto Giordano, Luciano Pavarotti, Montserrat Caballé, Leo Nucci, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly's "Giordano: Andrea Chénier" album is number 7 out of 30. Andrea Chénier / Act 3: La mamma morta is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Andrea Chénier / Act 3: La mamma morta by Umberto Giordano, Montserrat Caballé, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andrea Chenier: Act III: Mamma Cadet | Umberto Giordano, Renata Scotto, Sherrill Milnes, Enzo Dara, Stuart Harling, Malcolm King, James Levine | B Major | 3 | 1B | 142 BPM | ||
Pagliacci: Act I: Vesti la Giubba | Franco Corelli, Ruggero Leoncavallo, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile | G Major | 7 | 9B | 102 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
Lehar: Giuditta, Act 3: "Meine Lippen sie küssen so heiss" (Annita) | Franz Lehár, Diana Damrau, David Charles Abell, Fritz Löhner-Beda, Royal Liverpool Philharmonic Orchestra | E Major | 4 | 12B | 81 BPM | ||
The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | ||
Rusalka, Op. 114, B. 203 / Act 1: "Mesicku na nebi hlubokém" | Antonín Dvořák, Pilar Lorengar, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Patanè | F♯ Major | 1 | 2B | 100 BPM | ||
Carmina Burana / III. Cour d'amours: "In trutina" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 89 BPM | ||
Thaïs / Acte Deux: Méditation religieuse - Symphonie | Jules Massenet, Renaud Capuçon, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
Semele, Act II: "Where'er You Walk" | George Frideric Handel, Leontyne Price, Henry Lewis | B♭ Major | 2 | 6B | 131 BPM | ||
Orsù il tuo nome | Umberto Giordano, Mario Rossi, Orchestra Lirica e Coro di Milano della RAI | D♭ Major | 2 | 3B | 132 BPM |
Section: 0.7231042385101318
End: 0.7286777496337891