"Lehar: Giuditta, Act 3: "Meine Lippen sie küssen so heiss" (Annita)" by Franz Lehár, Diana Damrau, David Charles Abell, Fritz Löhner-Beda, Royal Liverpool Philharmonic Orchestra was released on October 14, 2013. With this song being about 5 minutes long, at 5:16, "Lehar: Giuditta, Act 3: "Meine Lippen sie küssen so heiss" (Annita)" by Franz Lehár, Diana Damrau, David Charles Abell, Fritz Löhner-Beda, Royal Liverpool Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 21 in Forever by Diana Damrau, Royal Liverpool Philharmonic Orchestra. Lehar: Giuditta, Act 3: "Meine Lippen sie küssen so heiss" (Annita) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lehar: Giuditta, Act 3: "Meine Lippen sie küssen so heiss" (Annita) by Franz Lehár, Diana Damrau, David Charles Abell, Fritz Löhner-Beda, Royal Liverpool Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bellini: La sonnambula, Act 2: "Ah! non giunge uman pensiero" (Amina) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | E♭ Major | 2 | 5B | 81 BPM | ||
Orchestral Fantasy on “Chin, Chin, Chidori” | Jean-Pascal Beintus, Orchestre Symphonique de Montréal, Kent Nagano, Diana Damrau | G Minor | 1 | 6A | 85 BPM | ||
Che farò senza Euridice? | Christoph Willibald Gluck, Vesselina Kasarova, Friedrich Haider | B♭ Major | 2 | 6B | 95 BPM | ||
An die Musik, D.547 (Op.88/4) | Franz Schubert, Bryn Terfel, Malcolm Martineau | C Major | 0 | 8B | 135 BPM | ||
Don Pasquale / Act I: Bella siccome un angelo | Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | D♭ Major | 1 | 3B | 74 BPM | ||
Strauss, R: 8 Lieder, Op. 49: No. 1, Waldseligkeit (Version with Orchestra) | Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra | D♭ Major | 0 | 3B | 134 BPM | ||
Auch kleine Dinge können uns entzücken | Hugo Wolf, Mojca Erdmann | A Major | 0 | 11B | 68 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 1, Freundliche Vision (Version with Orchestra) | Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra | D Major | 0 | 10B | 75 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Der Vogelhändler: Ich bin die Christel von der Post | Carl Zeller, Renate Holm, Frank Fox | E Major | 2 | 12B | 78 BPM |
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