"Lohengrin: Treulich gefuhrt ziehet dahin" by John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn was released on August 10, 2003. With this song being about 5 minutes long, at 5:21, "Lohengrin: Treulich gefuhrt ziehet dahin" by John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner, R.: Scenes From Lohengrin and Siegfried by John McGlinn. The song's track number on the album is #2 out of 18 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Lohengrin: Treulich gefuhrt ziehet dahin is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin: Treulich gefuhrt ziehet dahin by John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Lohengrin: Treulich gefuhrt ziehet dahin being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | F Major | 1 | 7B | 114 BPM | ||
Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Carlo Forti, Carlo Badioli, Franco Ricciardi, Antonino Votto, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM | ||
Symphony No. 8, Zweiter Teil: XV. Alles Vergängliche ist nur ein Gleichnis | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | F Minor | 2 | 4A | 64 BPM | ||
Anything Goes, Act I: Finale Act I (Sailor No. 1, Captain, Billy, Hope, Reno, Moonface) | Cole Porter, Kim Criswell, Frederica von Stade, Jack Gilford, London Symphony Orchestra, John McGlinn | A Minor | 5 | 8A | 117 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dance: Uletay na kryl'yakh vetra (Fly on the wings of wind) (Female Captives) | Alexander Borodin, Andrey Ivanov, Evgeniya Smolenskaya, Sergei Lemeshev, Alexander Pirogov, Mark Reizen, Veronica Borisenko, Alexey Serov, Ivan Skobtsov, Feodor Godovkin, Elena Korneueva, Antonina Ivanova, Bolshoi Theatre Chorus, Bolshoi Theatre Orchestra, Alexander Melik-Pashayev | A Major | 1 | 11B | 74 BPM | ||
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
Show Boat, Act Two Scene One: When we tell them about it all | Jerome Kern, John McGlinn/London Sinfonietta/Ambrosian Chorus/Frederica von Stade/Jerry Hadley/Teresa Stratas/Bruce Hubbard/Karla Burns/David Garrison/Paige O'Hara/Robert Nichols/Nancy Kulp/Lillian Gish, John McGlinn, London Sinfonietta | B♭ Major | 4 | 6B | 147 BPM | ||
Du Barry was a Lady: It was written in the stars | Cole Porter, Thomas Hampson, Ambrosian Chorus, London Symphony Orchestra, John McGlinn | G Minor | 2 | 6A | 77 BPM | ||
Porter / Orch. Koechlin: Within the Quota: I. Opening | Cole Porter, London Sinfonietta, John McGlinn | F Major | 2 | 7B | 141 BPM | ||
Loewe, Frederick: Brigadoon, Act 1: "The Heather on the Hill" (Tommy, Fiona) | Frederick Loewe, Brent Barrett, Rebecca Luker, London Sinfonietta, Nona Liddell, John McGlinn | E♭ Major | 2 | 5B | 98 BPM |
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