Cole Porter, Kim Criswell, Frederica von Stade, Jack Gilford, London Symphony Orchestra, John McGlinn made "Anything Goes, Act I: Finale Act I (Sailor No. 1, Captain, Billy, Hope, Reno, Moonface)" available on 1989. The duration of Anything Goes, Act I: Finale Act I (Sailor No. 1, Captain, Billy, Hope, Reno, Moonface) is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Anything Goes, Act I: Finale Act I (Sailor No. 1, Captain, Billy, Hope, Reno, Moonface)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 22 in Anything Goes - Porter by Cole Porter, John McGlinn, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Anything Goes, Act I: Finale Act I (Sailor No. 1, Captain, Billy, Hope, Reno, Moonface) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Anything Goes, Act I: Finale Act I (Sailor No. 1, Captain, Billy, Hope, Reno, Moonface) by Cole Porter, Kim Criswell, Frederica von Stade, Jack Gilford, London Symphony Orchestra, John McGlinn is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Little Babes In the Wood: Two Little Babes In the Wood | Cole Porter | A♭ Major | 2 | 4B | 75 BPM | ||
Pacific 1860: This is a Changing World | Noel Coward | D♭ Minor | 0 | 12A | 45 BPM | ||
Would You Like to Take a Walk | Annette Hanshaw | F♯ Major | 3 | 2B | 116 BPM | ||
I Wanna Go Back to West Virginia | Spike Jones | G Major | 4 | 9B | 134 BPM | ||
Midnite in a Madhouse (Alternate Take) | Chick Webb | G Minor | 6 | 6A | 100 BPM | ||
Whispering | Paul Whiteman | D Major | 3 | 10B | 99 BPM | ||
That "Old Time" Religion | Polk Miller | D Minor | 3 | 7A | 76 BPM | ||
Jolly Days | Gerhard Trede, THE GERHARD TREDE FILM ORCHESTRA | D Minor | 6 | 7A | 94 BPM | ||
Let's Fly Away | Lee Wiley | G Major | 1 | 9B | 115 BPM | ||
Breezin' Along With The Breeze | The Four Lads | F Major | 5 | 7B | 127 BPM |
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