La sonnambula, Act I: Come per me sereno
Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto
Maria Callas Legendary Recordings
2:31 March 1, 2014
BPM
88
Key
E♭ Major
Camelot
5B

Embed

Share Link

La sonnambula, Act I: Come per me sereno - Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto Information

Acousticness
97%
Danceability
23%
Energy
11%
Instrumentalness
0%
Liveness
11%
Loudness
71%
Speechiness
5%
Valence
9%
Popularity
Loudness
-17.424 dB

Summary

"La sonnambula, Act I: Come per me sereno" by Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto was released on March 1, 2014. The duration of La sonnambula, Act I: Come per me sereno is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. La sonnambula, Act I: Come per me sereno's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Maria Callas, Tullio Serafin, Herbert von Karajan, Gabriele Santini, Victor de Sabata, Antonino Votto, Leonard Bernstein, Oliviero de Fabritiis, Arturo Basile's "Maria Callas Legendary Recordings" album is number 10 out of 14. On top of that, Germany appears to be the country where this track was created. La sonnambula, Act I: Come per me sereno is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

La sonnambula, Act I: Come per me sereno BPM

We consider the tempo marking of La sonnambula, Act I: Come per me sereno by Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.

La sonnambula, Act I: Come per me sereno Key

The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Norma / Act 2: Deh! non volerli vittime by Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard BonyngeNorma / Act 2: Deh! non volerli vittimeVincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard BonyngeE Minor39A135 BPM
Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix. by Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria CallasSamson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix.Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria CallasD♭ Major13B81 BPM
Puccini: La bohème, Act I: Puccini: La bohème, Act I: "Che gelida manina!"Giacomo Puccini, Giuseppe Di Stefano, Antonino Votto, Orchestra Del Teatro Alla Scala, MilanoA♭ Major14B86 BPM
Donizetti: Anna Bolena, Act 2: Donizetti: Anna Bolena, Act 2: "Al dolce guidami castel natio" (Anna Bolena)Gaetano Donizetti, Maria Callas, Philharmonia Orchestra, Nicola RescignoF Major07B76 BPM
La Wally / Act 1: La Wally / Act 1: "Ebben? Ne andrò lontana"Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias RingborgE Major212B90 BPM
L'ultima canzone by Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero GambaL'ultima canzoneFrancesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero GambaD Major210B72 BPM
Il Barbiere di Siviglia: Una voce poco fa by Gioachino Rossini, Marilyn Horne, Riccardo Chailly, Orchestra Del Teatro Alla Scala, MilanoIl Barbiere di Siviglia: Una voce poco faGioachino Rossini, Marilyn Horne, Riccardo Chailly, Orchestra Del Teatro Alla Scala, MilanoC Minor15A61 BPM
Addio del passato : La Traviata by Giuseppe Verdi, Maria CallasAddio del passato : La TraviataGiuseppe Verdi, Maria CallasE Major412B73 BPM
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: Introduzione - Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: Introduzione - "Ite sul colle, o Druidi"Vincenzo Bellini, Michele Pertusi, International Chamber Vocalists, Orchestra La Scintilla, Giovanni AntoniniB Minor210A114 BPM
Verdi: Otello, Act 4: Verdi: Otello, Act 4: "Ave Maria, piena di grazia" (Desdemona)Giuseppe Verdi, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du ConservatoireA♭ Major14B87 BPM
ISRC
DEAD60901410
Label
L-M Records/RCA Records

Section: 0.7386164665222168

End: 0.7421598434448242