"Puccini: La bohème, Act I: "Che gelida manina!"" by Giacomo Puccini, Giuseppe Di Stefano, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano was released on 1958. With this song being about 5 minutes long, at 5:01, "Puccini: La bohème, Act I: "Che gelida manina!"" by Giacomo Puccini, Giuseppe Di Stefano, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano's "La Bohème - Puccini" album is number 6 out of 26. Puccini: La bohème, Act I: "Che gelida manina!" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Puccini: La bohème, Act I: "Che gelida manina!" by Giacomo Puccini, Giuseppe Di Stefano, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recondita armonia - Tosca | Giuseppe Di Stefano | F Major | 2 | 7B | 168 BPM | ||
Cavalleria rusticana: "Inneggiamo, il Signor non è morto" (Easter Hymn) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | G Major | 3 | 9B | 68 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Giacomo Puccini, Joseph Calleja, L'Orchestre de la Suisse Romande, Marco Armiliato | A♭ Major | 3 | 4B | 78 BPM | ||
Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
Sposa, son disprezzata | Montserrat Caballé | F Minor | 1 | 4A | 106 BPM | ||
Les soirées musicales: La danza (Già la luna è in mezzo al mare) | Gioachino Rossini, Carlo Pepoli, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | F Major | 4 | 7B | 69 BPM | ||
Il tango delle capinere | Leo Nucci, Salotto Ottocento Ensemble | D Major | 4 | 10B | 82 BPM | ||
Madama Butterfly: Tu, tu, piccolo iddio | Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma, Wiener Philharmoniker | B Minor | 3 | 10A | 97 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Addio, fiorito asil (Pinkerton/Sharpless) | Giacomo Puccini, Carlo Bergonzi, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | G Minor | 2 | 6A | 132 BPM | ||
Mozart: Le nozze di Figaro / Act 3 - "Dove sono i bei momenti" | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | C Major | 1 | 8B | 82 BPM |
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