"Mozart: Le nozze di Figaro / Act 3 - "Dove sono i bei momenti"" by Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti was released on 2004. With this song being about 5 minutes long, at 4:58, "Mozart: Le nozze di Figaro / Act 3 - "Dove sono i bei momenti"" by Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Kiri Te Kanawa's "Kiri -Her Greatest Hits" album is number 5 out of 29. Mozart: Le nozze di Figaro / Act 3 - "Dove sono i bei momenti" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Le nozze di Figaro / Act 3 - "Dove sono i bei momenti" by Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM | ||
Die Fledermaus / Act 1: "So muss allein ich bleiben" | Johann Strauss II, Kiri Te Kanawa, Edita Gruberova, Wolfgang Brendel, Wiener Philharmoniker, André Previn | C Major | 2 | 8B | 131 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto "Ode to Joy" | Ludwig van Beethoven, London Philharmonic Choir, The London Chorus, David Parry, London Philharmonic Orchestra | D Major | 6 | 10B | 76 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Madama Butterfly / Act 1: Viene la sera | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 171 BPM | ||
Manon Lescaut: Act I: Donna non vidi mai simile a questa! | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM |
Section: 0.683713436126709
End: 0.68790602684021