"Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno"" by Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2001. The duration of Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 202 in the song's album "The Pavarotti Edition". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United Kingdom. The popularity of Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" by Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La fille du régiment / Act 2: "Tous les trois réunis, quel plaisir mes amis!" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 2 | 10B | 95 BPM | ||
Cavalleria rusticana: "Fior di giaggiolo" | Pietro Mascagni, Carmen Gonzales, Luciano Pavarotti, Julia Varady, National Philharmonic Orchestra, Gianandrea Gavazzeni | B♭ Major | 1 | 6B | 176 BPM | ||
La Gioconda / Act 2: Ma chi vien...Laggiu fra | Amilcare Ponchielli, Agnes Baltsa, Luciano Pavarotti, Sherrill Milnes, National Philharmonic Orchestra, Bruno Bartoletti | G Major | 2 | 9B | 87 BPM | ||
La fille du régiment / Act 1: La la la ...chacum le sait, chacun le dit | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Spiro Malas, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 2 | 7B | 180 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
'A vucchella - Live | Francesco Paolo Tosti, Luciano Pavarotti, John Wustman | F Major | 1 | 7B | 92 BPM | ||
Carmen, WD 31 / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | D♭ Minor | 7 | 12A | 102 BPM | ||
Freuet euch des Lebens, Walzer, Op. 340 | Johann Strauss II, Mariss Jansons, Wiener Philharmoniker | B♭ Major | 1 | 6B | 91 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM |
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