"Ma rendi pur contento" by Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato was released on October 2, 2015. The duration of Ma rendi pur contento is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Ma rendi pur contento's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Treasures Of Bel Canto". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Ma rendi pur contento is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ma rendi pur contento by Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Stabat Mater: Sancta mater, istud agas | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | A♭ Major | 1 | 4B | 82 BPM | ||
Beatrice di Tenda: Act I Scene 1: Ah! non pensar che pieno (Agnese, Filippo, Choir) | Vincenzo Bellini, Camille Capasso, Fabio Luisi, Paolo Gavanelli, Chorus of the German Opera House Berlin, German Opera House Berlin Orchestra | A♭ Major | 1 | 4B | 101 BPM | ||
Cavalleria rusticana: "Inneggiamo, il Signor non è morto" (Easter Hymn) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | G Major | 3 | 9B | 68 BPM | ||
Beatrice di Tenda: Act I Scene 1: Tu signor! (Filippo, Choir) | Vincenzo Bellini, Fabio Luisi, Paolo Gavanelli, Chorus of the German Opera House Berlin, German Opera House Berlin Orchestra | D Minor | 1 | 7A | 75 BPM | ||
Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
L'arlesiana / Act 2: È la solita storia (Lamento di Federico) | Francesco Cilea, José Carreras, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino | A Minor | 2 | 8A | 79 BPM | ||
Beatrice di Tenda: Act I Scene 12: Al castigo a lor (Filippo, Beatrice, Orombello, Agnese, Anichin, Choir) | Vincenzo Bellini, Camille Capasso, Lucia Aliberti, Martin Thompson, Fabio Luisi, Paolo Gavanelli, Chorus of the German Opera House Berlin, John David Dehaan, German Opera House Berlin Orchestra | G Major | 2 | 9B | 81 BPM | ||
Delibes: Lakmé, Act II: "Par les dieux inspirés" - Air des clochettes. "Où va la jeune hindoue" (Lakmé, Nilakantha, Chorus) | Léo Delibes, Natalie Dessay, Choeur Du Capitole De Toulouse, José van Dam, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 1 | 11B | 124 BPM |
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