"Turandot, Act 2: "in Questa Reggia"" by Birgit Nilsson was released on March 3, 1953. Turandot, Act 2: "in Questa Reggia" is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. There are a total of 41 in the song's album "Presenting Birgit Nilsson". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Turandot, Act 2: "in Questa Reggia" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot, Act 2: "in Questa Reggia" by Birgit Nilsson having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act 1: "Dell'invito trascorsa è già l'ora" | Giuseppe Verdi, Anna Netrebko, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Rolando Villazón, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber | A Major | 2 | 11B | 82 BPM | ||
Tosca / Act 1: "Or tutto è chiaro...Mario?! Mario?!" | Giacomo Puccini, Dietrich Fischer-Dieskau, Birgit Nilsson, Alfredo Mariotti, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel | B♭ Major | 2 | 6B | 138 BPM | ||
Tosca, Act 2: "vissi D'arte" | Birgit Nilsson | A Major | 1 | 11B | 66 BPM | ||
Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 0 | 8B | 152 BPM | ||
Don Giovanni, K.527 / Act 1: "Fuggi, crudele, fuggi!" | Wolfgang Amadeus Mozart, Birgit Nilsson, Peter Schreier, Orchestra Of The National Theatre Prague, Karl Böhm | D Major | 2 | 10B | 78 BPM | ||
Madama Butterfly / Act 1: Sorride Vostro Onore? | Giacomo Puccini, Christa Ludwig, Luciano Pavarotti, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 105 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Lachst du mich aus? ... Lach' ich dich aus?" (Octavian, Marschallin) | Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Philharmonia Orchestra | A Major | 0 | 11B | 123 BPM | ||
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM | ||
Götterdämmerung, WWV 86D / Prologue: "Mehr gabst du, Wunderfrau, als ich zu wahren weiss" | Richard Wagner, Helga Dernesch, Helge Brilioth, Berliner Philharmoniker, Herbert von Karajan | F Major | 4 | 7B | 71 BPM |
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