"Cavalleria rusticana: "Regina coeli, laetare"" by Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano was released on January 1, 1966. The duration of Cavalleria rusticana: "Regina coeli, laetare" is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Cavalleria rusticana: "Regina coeli, laetare"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan's "Mascagni: Cavalleria Rusticana" album is number 10 out of 22. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Cavalleria rusticana: "Regina coeli, laetare" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavalleria rusticana: "Regina coeli, laetare" by Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur: Act Ii L'anima Ho Stanca | Franco Corelli, Francesco Cilea, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile | B Minor | 4 | 10A | 101 BPM | ||
Romeo and Juliette, Act I: Non! non! je ne veux pas t'écouter plus longtemps | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
La Bohème / Act 3: "Dunque: è proprio finita!...Addio, dolce svegliare" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 92 BPM | ||
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Norma (1997 Digital Remaster), ACT 2, Scene 3: Guerra, guerra! La galliche selve (Coro) | Vincenzo Bellini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | A Major | 3 | 11B | 136 BPM | ||
Bartók: Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto | Béla Bartók, Herbert von Karajan, Philharmonia Orchestra | D♭ Minor | 4 | 12A | 115 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 1) Entr'acte and Waltz With Chorus. "Vot tak syurpriz!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Jürgen Hartfiel, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM |
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