- BPM
- 152
- Key
- C Major
- Camelot
- 8B
Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir" - Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum Information
- Acousticness
- 96%
- Danceability
- 21%
- Energy
- 4%
- Instrumentalness
- 8%
- Liveness
- 8%
- Loudness
- 49%
- Speechiness
- 3%
- Valence
- 22%
- Popularity
- 1%
- Loudness
- -30.837 dB
Summary
Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum's 'Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir"' came out on January 1, 1988. The duration of Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir" is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #8. Based on our statistics, Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir" BPM
With Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir" by Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir" Key
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Te Deum, WAB 45: 3. Aeterna fac | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | B♭ Major | 4 | 6B | 64 BPM | |
 | Mozart: Don Giovanni, K. 527, Act 2: "Questo è il fin di chi fa mal!" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello) | Wolfgang Amadeus Mozart, Riccardo Muti, Carol Vaness, Cheryl Studer, Frank Lopardo, Natale de Carolis, Samuel Ramey, Susanne Mentzer, Wiener Philharmoniker | F Major | 1 | 7B | 95 BPM | |
 | Orff: Carmina Burana, Pt. 3, Cour d'amours: Dies, nox et omnia | Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 0 | 11B | 135 BPM | |
 | Carmen, WD 31, Act II: Gypsy Song. Les tringles des sistres tintaient (Carmen, Fasquita, Zuniga, Mercedes) | Georges Bizet, Graciela Alperyn, Slovak Radio Symphony Orchestra, Ali Rahbari, Giorgio Lamberti, Alan Titus, Doina Palade, Dalia Schaechter, Ann Liebeck, Danilo Rigosa, Slovak Philharmonic Chorus, Bratislava Children's Choir | F Major | 2 | 7B | 108 BPM | |
 | Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" | Carl Orff, Bavarian Radio Symphony Orchestra, Daniel Harding, Bavarian Radio Chorus, Robert Blank | F Major | 4 | 7B | 149 BPM | |
 | Strauss, R: 3 Gesänge älterer deutscher Dichter, Op. 43: II. Muttertändelei | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | F Major | 1 | 7B | 78 BPM | |
 | Madama Butterfly / Act 1: Ecco. Son giunte al sommo del pendio | Giacomo Puccini, Herbert von Karajan, Wiener Philharmoniker, Vienna State Opera Chorus, Michel Sénéchal, Mirella Freni, Robert Kerns, Luciano Pavarotti | B♭ Minor | 1 | 3A | 86 BPM | |
 | Cavalleria rusticana: "A voi tutti salute" | Pietro Mascagni, Luciano Pavarotti, Piero Cappuccilli, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | B Major | 1 | 1B | 69 BPM | |
 | La Bohème / Act 3: "Dunque: è proprio finita!...Addio, dolce svegliare" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 92 BPM | |
 | Salome, Op. 54 / Scene 4: "Sie ist ein Ungeheuer, deine Tochter" | Richard Strauss, Cheryl Studer, Leonie Rysanek, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | C Major | 1 | 8B | 62 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8421735763549805
End: 0.8460659980773926