Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin's 'Strauss, R: 3 Gesänge älterer deutscher Dichter, Op. 43: II. Muttertändelei' came out on 1997. The duration of Strauss, R: 3 Gesänge älterer deutscher Dichter, Op. 43: II. Muttertändelei is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Strauss, R: 3 Gesänge älterer deutscher Dichter, Op. 43: II. Muttertändelei's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "R. Strauss: Four Last Songs". In this album, this song's track order is #5. Strauss, R: 3 Gesänge älterer deutscher Dichter, Op. 43: II. Muttertändelei is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Strauss, R: 3 Gesänge älterer deutscher Dichter, Op. 43: II. Muttertändelei by Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Prologue - Picture 2: Long live Tsar Boris Feodorovich | Modest Mussorgsky, Konstantin Pluzhnikov, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev | G Major | 4 | 9B | 105 BPM | ||
Dichterliebe, Op. 48: VIII. Und wüßten's die Blumen, die kleinen | Robert Schumann, Fritz Wunderlich, Hubert Giesen | D Minor | 1 | 7A | 126 BPM | ||
Salome, Op. 54 / Scene 4: "Siehe, der Tah ist nahe" | Richard Strauss, Leonie Rysanek, Horst Hiestermann, Uwe Peper, Ralf Lukas, Bryn Terfel, Friedrich Molsberger, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | E Major | 1 | 12B | 132 BPM | ||
Lohengrin, WWV 75 / Act 1: Einsam in trüben Tagen | Richard Wagner, Gundula Janowitz, Karl Ridderbusch, Bavarian Radio Chorus, Heinz Mende, Bavarian Radio Symphony Orchestra, Rafael Kubelík | D Major | 4 | 10B | 103 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Rusalka, Op. 114 / Act 1: I pekne vitam | Antonín Dvořák, Franz Hawlata, Livia Aghova, Dana Buresova, Hana Minutillo, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
Symphony No. 28 in C Major, K. 200 (189k): II. Andante | Wolfgang Amadeus Mozart, George Szell, Cleveland Orchestra | G Major | 2 | 9B | 115 BPM | ||
Salome, Op. 54 / Scene 3: "Wer ist dies Weib, das mich ansieht?" | Richard Strauss, Cheryl Studer, Clemens Bieber, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | C Minor | 1 | 5A | 83 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Berlioz: Les Troyens, Op. 29, H. 133, Act 5: "Adieu, fière cité" (Didon) | Hector Berlioz, John Nelson, Joyce DiDonato, Orchestre Philharmonique De Strasbourg | A♭ Major | 0 | 4B | 76 BPM |
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