Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner's 'L'italiana in Algeri: Overture' came out on January 1, 2003. Since L'italiana in Algeri: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 26 in the song's album "Rossini: Complete Overtures". In this album, this song's track order is #8. Based on our statistics, L'italiana in Algeri: Overture's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'italiana in Algeri: Overture by Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elégie, Op.24: Molto adagio | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | A♭ Major | 0 | 4B | 107 BPM | ||
Il Turco in Italia: Overture (Sinfonia) | Gioachino Rossini, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | A Major | 1 | 11B | 109 BPM | ||
Sinfonia in D - "al Conventello" - ed. Philip Gossett | Gioachino Rossini, Filarmonica del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 4 | 7B | 123 BPM | ||
Abdelazer: Rondeau | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 66 BPM | ||
Il viaggio a Reims: Dell'alma diva (Live) | Gioachino Rossini, Mirco Palazzi, Poznan Camerata Bach Choir, Virtuosi Brunensis, Antonino Fogliani | F Major | 3 | 7B | 114 BPM | ||
5 Piano Pieces, Op. 3, TrV 105: No. 1. Andante | Richard Strauss, Stefan Veselka | B♭ Major | 2 | 6B | 77 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Mozart: Der Schauspieldirektor, K. 486: Overture | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 2 | 8B | 112 BPM | ||
The Can Can | Jacques Offenbach, Philharmonia Orchestra, Sir Neville Marriner | D Major | 7 | 10B | 82 BPM | ||
Bach: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | A♭ Major | 0 | 4B | 113 BPM |
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