"Bach: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo" by Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields was released on 1999. The duration of Bach: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo is about 3 minutes long, at 3:28. Based on our data, "Bach: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 28 in Bach: Keyboard Concertos - French Suite No.5 by Johann Sebastian Bach, Andrei Gavrilov, Sir Neville Marriner. In terms of popularity, Bach: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bach: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo by Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace (Conclusion) | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | D Minor | 2 | 7A | 142 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73: II. Adagio un poco mosso | Ludwig van Beethoven, Berliner Philharmoniker, Sir Simon Rattle, Mitsuko Uchida | B Major | 0 | 1B | 81 BPM | ||
Handel: Concerto a due cori No. 1 in B-Flat Major, HWV 332: VI. Alla breve moderato | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 2 | 7B | 118 BPM | ||
Lyric Pieces Book I, Op. 12: 1. Arietta | Edvard Grieg, Andrei Gavrilov | B♭ Major | 0 | 6B | 72 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 1: Prelude. At the Wedding | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 137 BPM |
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