"Grieg: Peer Gynt, Op. 23, Act 1: Prelude. At the Wedding" by Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner was released on 1983. With this song being about 5 minutes long, at 5:16, "Grieg: Peer Gynt, Op. 23, Act 1: Prelude. At the Wedding" by Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Edvard Grieg, Sir Neville Marriner's "Grieg: Peer Gynt" album is number 1 out of 12. Based on our statistics, Grieg: Peer Gynt, Op. 23, Act 1: Prelude. At the Wedding's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grieg: Peer Gynt, Op. 23, Act 1: Prelude. At the Wedding by Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mussorgsky: Pictures at an Exhibition: No. 1, Promenade I | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | F Major | 0 | 7B | 88 BPM | ||
Cello Concerto No. 2 in D Hob. VIIb:2 (Cadenzas: Lynn Harrell): III. Rondo (Allegro) - Cadenza | Lynn Harrell, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 134 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Symphony No. 1 in D Major, Op. 25: I. Allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Octet In E Flat, Op.20, MWV R20: 1. Allegro moderato, ma con fuoco | Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Roger Garland, Andrew McGee, Stephen Shingles, Anthony Jenkins, Denis Vigay, Roger Smith | E♭ Major | 1 | 5B | 133 BPM | ||
Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 135 BPM | ||
Violin Concerto In E Minor, Op.64, MWV O14: 2. Andante | Felix Mendelssohn, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 86 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 4. Andante | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 1 | 10B | 91 BPM | ||
Orfeo ed Euridice (1992 Digital Remaster): Ballet in D minor (Dance of the Blessed Spirits): (flute solo) | Christoph Willibald Gluck, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 1 | 7B | 174 BPM |
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