Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner's 'La Cenerentola: Overture (Sinfonia)' came out on January 1, 2003. Since La Cenerentola: Overture (Sinfonia) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 26 in the song's album "Rossini: Complete Overtures". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Netherlands. La Cenerentola: Overture (Sinfonia) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Cenerentola: Overture (Sinfonia) by Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armida, Act I: Sinfonia | Gioachino Rossini, Prague Sinfonia, Christian Benda | B Minor | 2 | 10A | 175 BPM | ||
L'italiana in Algeri: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 143 BPM | ||
Holberg Suite, Op.40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 149 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Canzonetta spagnuola | Gioachino Rossini, Giuseppina Bridelli, Alessandro Marangoni | D Major | 4 | 10B | 103 BPM | ||
Carmen Suite No.2: La garde montante | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | D Minor | 1 | 7A | 116 BPM | ||
Rossini: The Thieving Magpie: Overture | Gioachino Rossini, Herbert von Karajan, Philharmonia Orchestra | E Major | 3 | 12B | 177 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, San Francisco Symphony, Herbert Blomstedt | D Major | 0 | 10B | 78 BPM | ||
L'italiana in Algeri / Act 2: Amiche, andate a dire all'italiana | Gioachino Rossini, Giuliana Tavolaccini, Miti Truccato Pace, Teresa Berganza, Luigi Alva, Fernando Corena, Paolo Montarsolo, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso | D Major | 3 | 10B | 89 BPM | ||
L'italiana in Algeri / Act 2: Per lui che adoro | Gioachino Rossini, Teresa Berganza, Luigi Alva, Rolando Panerai, Fernando Corena, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso | D Major | 3 | 10B | 89 BPM |
Section: 0.6032636165618896
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