Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit's 'Carmen Suite No.2: La garde montante' came out on January 1, 1988. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 18 out of 19 in Bizet: Carmen Suites 1 & 2; L'Arlésienne Suites 1 & 2 by Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit. In terms of popularity, Carmen Suite No.2: La garde montante is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Carmen Suite No.2: La garde montante by Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Voices of Spring, Op. 410 | Johann Strauss II, Leonard Bernstein | B♭ Major | 2 | 6B | 110 BPM | ||
L'Arlésienne Suite No. 2 (Arr. E. Guiraud for Orchestra): III. Minuetto | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Janos Sandor | E♭ Major | 0 | 5B | 75 BPM | ||
Waltz No. 10 in B Minor, Op. 69, No. 2 | Frédéric Chopin, Idil Biret | B Minor | 0 | 10A | 155 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
L'Arlesienne Suite No. 2: IV. Farandole (arr. E. Guiraud for orchestra) | Ernest Guiraud, Georges Bizet, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | E Major | 3 | 12B | 83 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Scènes bohémiennes la jolie fille de perth: Danse bohémienne | Georges Bizet, Orchestre Philharmonique des Pays de Loire, Marc Soustrot | B Minor | 1 | 10A | 81 BPM |
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