Johann Strauss II, Leonard Bernstein made "Voices of Spring, Op. 410" available on November 9, 2018. Voices of Spring, Op. 410 is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Strauss, Jr: Waltzes - Strauss, Sr.: Radetzky March". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Voices of Spring, Op. 410 is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Voices of Spring, Op. 410 by Johann Strauss II, Leonard Bernstein having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in A Major, Op. 90 "Italian": III. Con moto moderato | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 131 BPM | ||
Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | D Minor | 3 | 7A | 101 BPM | ||
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Der Zigeunerbaron, Act 1: Das wär' kein rechter Schifferknecht (Ottokar, Czipra, Chor) | Johann Strauss II, Dietrich Fischer-Dieskau, Willi Boskovsky, Muenchner Rundfunkorchester, Munich Radio Orchestra | C Major | 1 | 8B | 98 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Trumpet Concerto in E Flat, H.VIIe/1: 3. Allegro | Joseph Haydn, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 169 BPM | ||
Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D Major | 0 | 10B | 94 BPM | ||
Strauss Jr., J.: Wiener Blut, Op. 354 | Johann Strauss II, Wiener Johann Strauss Orchester, Willi Boskovsky | C Major | 1 | 8B | 178 BPM | ||
Poet and Peasant: Overture | Franz von Suppé, Detroit Symphony Orchestra, Paul Paray | A Major | 3 | 11B | 81 BPM |
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