Ernest Guiraud, Georges Bizet, Leningrad Philharmonic Orchestra, Evgeny Mravinsky's 'L'Arlesienne Suite No. 2: IV. Farandole (arr. E. Guiraud for orchestra)' came out on February 7, 2017. The duration of L'Arlesienne Suite No. 2: IV. Farandole (arr. E. Guiraud for orchestra) is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. L'Arlesienne Suite No. 2: IV. Farandole (arr. E. Guiraud for orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 71 in Evgeny Mravinsky Edition, Vol. 2: Tchaikovsky, Mozart, Berlioz, Stravinsky & R. Strauss by Leningrad Philharmonic Orchestra, Evgeny Mravinsky. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. L'Arlesienne Suite No. 2: IV. Farandole (arr. E. Guiraud for orchestra) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Arlesienne Suite No. 2: IV. Farandole (arr. E. Guiraud for orchestra) by Ernest Guiraud, Georges Bizet, Leningrad Philharmonic Orchestra, Evgeny Mravinsky is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
The Auditions | Kerry Muzzey, Dániel Dinyés, Budapest Art Orchestra | C Major | 4 | 8B | 86 BPM | ||
The Sculptor Barn Beauty Elegance | Sean Michael Thomas, Johannes Brahms | G Minor | 4 | 6A | 73 BPM | ||
Mini 5th | Dick Walter, David Walter | F♯ Minor | 3 | 11A | 107 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Lento assai) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | A Minor | 0 | 8A | 81 BPM | ||
Shchedrin: Carmen Suite: VII. Second Intermezzo (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | E Major | 1 | 12B | 116 BPM | ||
La Bohème, SC 6, Act IV: Sono andati? | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 0 | 4B | 82 BPM | ||
Gretna-Green: Valse de Colin-Maillard | Ernest Guiraud, Les Siècles, François-Xavier Roth | F Major | 3 | 7B | 131 BPM | ||
The Seasons, Op. 67, Pt. 4 "L'automne": No. 14d, Le printemps | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM |
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