Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko's 'The Seasons, Op. 67, Pt. 4 "L'automne": No. 14d, Le printemps' came out on September 14, 2018. With The Seasons, Op. 67, Pt. 4 "L'automne": No. 14d, Le printemps being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko's "Glazunov: The Seasons, Op. 67 - Tchaikovsky: Serenade for Strings, Op. 48" album is number 14 out of 21. On top of that, Germany appears to be the country where this track was created. Based on our statistics, The Seasons, Op. 67, Pt. 4 "L'automne": No. 14d, Le printemps's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Seasons, Op. 67, Pt. 4 "L'automne": No. 14d, Le printemps by Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, Josef: Geheime Anziehungskräfte, Op. 173 | Josef Strauss, Rudolf Kempe, Wiener Philharmoniker | E Major | 1 | 12B | 144 BPM | ||
バレエ組曲「くるみ割り人形」 c. ロシア舞曲 | ベルリン フィルハーモニー管弦楽団, ニューフィルハーモニア管弦楽団 | D Major | 7 | 10B | 82 BPM | ||
Act II: Scene (Minkus) | Mariinsky Orchestra | D Major | 4 | 10B | 123 BPM | ||
鏡の踊り 歌劇「ファウスト」 バレエ音楽より | Charles Gounod, Tokyo Symphony Orchestra | G Major | 1 | 9B | 85 BPM | ||
Sylvia: Act I: Le berger (Pastorale) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 72 BPM | ||
Die Hochquelle, Op. 114 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, John Georgiadis | A♭ Major | 1 | 4B | 119 BPM | ||
Raymonda, Act III: Variation 2 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D♭ Major | 0 | 3B | 87 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: II. Pas de Chat | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
Coppélia, Tableau 1 : No. 3, Mazurka. | Berliner Philharmoniker | D Major | 4 | 10B | 81 BPM | ||
Terpsichore, Op. 37 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 2 | 10B | 84 BPM |
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