Gioachino Rossini, Teresa Berganza, Luigi Alva, Rolando Panerai, Fernando Corena, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso's 'L'italiana in Algeri / Act 2: Per lui che adoro' came out on January 1, 1964. L'italiana in Algeri / Act 2: Per lui che adoro is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. There are a total of 34 in the song's album "Rossini: L'Italiana in Algeri". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. L'italiana in Algeri / Act 2: Per lui che adoro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'italiana in Algeri / Act 2: Per lui che adoro by Gioachino Rossini, Teresa Berganza, Luigi Alva, Rolando Panerai, Fernando Corena, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola / Act 1: "Signor... Altezza, è in tavola" | Gioachino Rossini, Enzo Dara, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, William Matteuzzi, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
Carmen Suite No.1: Prélude | Georges Bizet, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | D Minor | 4 | 7A | 125 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Sigismondo: Act I Scene 15: Dimmi Egelinda in corte (Sigismondo, Aldimira, Chorus, Ladislao) | Gioachino Rossini, Sonia Ganassi, Rossella Ragatzu, Bruno Lazzaretti, Nicolletta Zanini, Giacomo Prestia, Filippo Pina Castiglioni, Autunno Trevigiano Chorus, Francesco Venezze di Rovigo Conservatory Orchestra, Richard Bonynge | D Major | 4 | 10B | 99 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
Il Barbiere di Siviglia, Act II: "Una voce poco fa" (Rosina) | Gioachino Rossini, Jarmila Novotna, Pierre-Augustin Caron de Beaumarchais, Cesare Sterbini, Josef Vymětal, Ota Zítek | E Major | 3 | 12B | 110 BPM | ||
Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, English Chamber Orchestra, Richard Bonynge | D Major | 0 | 10B | 169 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM |
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